against my better judgement i'm gonna address that bit of business.
dane, at no point had i slagged your playing on this take.
though there are areas i could easily find fault with.....i limited my criticism to the unacceptable bass artifacts your recording had introduced,.
and the fact that your attempt at playing the head along w the bass wasn't even close, and sounds to my ears pretty damn rough. Unison? no...not close.
though you make a lot of good and interesting comping choices (the 4th's voiced chords for instance, and where you chose to make a lot of your hits... i can appreciate).
buuuuuut....you miss a few chords changes, flub a couple of chords, and a few of your hits don't line up.
but the thing that makes it a deal breaker for me, is the fact that once you again you're guitar is just balls out of tune.
and an out of tune ANY INSTRUMENT being played against a bass w no frets.... that shares a lot of real estate in the same frequencies.......that is hard for me to listen to.
now, we don't need to get into another 10 page discussion about what's in tune and what ain't....and you don't need to mention which big and widely accepted songs had a slightly out of tune guitar solo on. frankly charlotte...i don't give a whoop.
you either hear that the gtr is out of tune w the bass....or you don't.
alternate possible scenario #2.....you do hear it, and aren't bugged by it.
so.....this is the weird and fussy (and as you deem so...."rude") kind of guy i am.... i expect and prefer "unison lines" to be be played IN UNISON or at least damn close. and when they're not......well, that's NOT so good. it sounds shitty to my fussy ears. dig?
and yeah, my "fussiness" extends to intonation as well. in the world that i prefer to live in...intonation is an important thing that is to be taken very seriously and not given short shrift to.