Okay . We corrected the issue... (Taking and udsing all you guyzz'es wisdom and advice ...
...
1) For starters: We grabbed an SM57 Mic, (which George uses primarily for guitars), and a Rode NT1 Mic, (which he uses primarily for vocals and/or acoustic guitars). The NT produces a brighter sound while the 57 is more beefy.
2) We took my Mustang II amp and sat it atop a chair, then we posted the two mics center, up to and an inch away from the speaker in the amp. (Each slightly angled)
3) We did a sound check and decided to put some fangs into the volume. Beforehand, I had been recording with the amp volume (master) at about level 4. But this time, we brought it up to 6-7 (I must be a wuss, cause that is really loud for my ears) ,
On my Gretsch, I ramped up the volumes as well.
4) We junctioned a cable from the booth to the sound room...(connecting to my amp) so I could play guitar from inside the booth) Think of it like taking xrays, where the raw source is painful and you need the protection behind the shield..
The resulting track, in terms of sound and texture was very satisfactory... I was able to produce a crisp, over-driven texture in the lead guitar... (And It got rid of the boxy, clunker sound I had been facing earlier)
Despite our technical conquest... It cannot hide the fact that I suck... as a lead guitarist...
I can accept that for now... The song is almost done, (I'll redo the track for cleaner transitions later) In the meantime, I have posted a WIP copy on my profile... She Dont Love Me Anymore Note the acoustic version of the song as well
1) For starters: We grabbed an SM57 Mic, (which George uses primarily for guitars), and a Rode NT1 Mic, (which he uses primarily for vocals and/or acoustic guitars). The NT produces a brighter sound while the 57 is more beefy.
2) We took my Mustang II amp and sat it atop a chair, then we posted the two mics center, up to and an inch away from the speaker in the amp. (Each slightly angled)
3) We did a sound check and decided to put some fangs into the volume. Beforehand, I had been recording with the amp volume (master) at about level 4. But this time, we brought it up to 6-7 (I must be a wuss, cause that is really loud for my ears) ,
On my Gretsch, I ramped up the volumes as well.
4) We junctioned a cable from the booth to the sound room...(connecting to my amp) so I could play guitar from inside the booth) Think of it like taking xrays, where the raw source is painful and you need the protection behind the shield..
The resulting track, in terms of sound and texture was very satisfactory... I was able to produce a crisp, over-driven texture in the lead guitar... (And It got rid of the boxy, clunker sound I had been facing earlier)
Despite our technical conquest... It cannot hide the fact that I suck... as a lead guitarist...
I can accept that for now... The song is almost done, (I'll redo the track for cleaner transitions later) In the meantime, I have posted a WIP copy on my profile... She Dont Love Me Anymore Note the acoustic version of the song as well




