If you can't stand the heat....(as the capt would say)
BTW how do you do that ear masturbation thing? I can't get it to work.
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#98869 by jimmydanger
Wed Jan 27, 2010 1:51 pm
Wed Jan 27, 2010 1:51 pm
#98980 by Robin1
Wed Jan 27, 2010 11:36 pm
Wed Jan 27, 2010 11:36 pm
Yep Phil, I agree.
Have been still getting to know people before I bash.
Ooops
not the bashing kind of person though. LOL
Have been still getting to know people before I bash.
Ooops

#99147 by its4am
Fri Jan 29, 2010 3:23 am
Fri Jan 29, 2010 3:23 am
if anyone else has any constructive comments on the music.. it would be appreciated
thanks
thanks
I'll take a shot at TELL ME for ya.
First off I feel the tempo is just not right. I get that it should have a melancholy effect / feel to it. But the tempo just is not right IMO.
Don,t know if it should be a few beats slower of faster but something needs to change. Experiment here some.
I'll put it to you like I did our front man one one of his compositions.
Picture yourself, at the end of a hard long day at work. Your tired somewhat depressed but relived to be home. Your kicked back on the porch singing this song...... get the picture ? ?
Also for the feel of the vox to match the feel of the instruments the musical changes need to flow more not be so abrupt. The attack is all wrong.
The overall feel improves around 1:56 as you built a little tension. A very brief pause may add emphasis here. But then you lost it again.
Building and dumping of sonic tension must be very deliberate.
This is something we have been working on as well.
The guitar tone (perhaps it's just the recording) is too dark as well. Power chording type tones are great for head bangers but for this type of tune you need full deliberate chording technique that includes the high ends, with the appropriate pic attack.
First off I feel the tempo is just not right. I get that it should have a melancholy effect / feel to it. But the tempo just is not right IMO.
Don,t know if it should be a few beats slower of faster but something needs to change. Experiment here some.
I'll put it to you like I did our front man one one of his compositions.
Picture yourself, at the end of a hard long day at work. Your tired somewhat depressed but relived to be home. Your kicked back on the porch singing this song...... get the picture ? ?
Also for the feel of the vox to match the feel of the instruments the musical changes need to flow more not be so abrupt. The attack is all wrong.
The overall feel improves around 1:56 as you built a little tension. A very brief pause may add emphasis here. But then you lost it again.
Building and dumping of sonic tension must be very deliberate.
This is something we have been working on as well.
The guitar tone (perhaps it's just the recording) is too dark as well. Power chording type tones are great for head bangers but for this type of tune you need full deliberate chording technique that includes the high ends, with the appropriate pic attack.
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