Prevost82 wrote:
... sound advice if you want to keep playing in the your basement.
I don't care if it's original or cover music ... if you play them enough times you'll get sick of them, especially badly written originals, and if the songs you pick suck and the audience thinks they suck .. you won't get many gigs. The audience is the one that's paying you ... I think F'ing the crowd is a great business model.
I'm not advocating that you play songs like Mustang Sally ... there's a lot of other well written, well known tunes out there that are not over played.
I play a lot of gigs in genre's that I don't care for, like country .. but hay ... in the end I was playing out, getting paid and it broadens my depth in music.
Ron
Provost, I am quite sure you play an awful lot and all over the place but do you truly enjoy what you are playing>? FAQ COUNTRY, it smells like it sounds.
I mean, we don't have to play FREE BIRD/MUSTANG SALLY/OOH THAT SMELL or any other of the redundant, pathetic, hackneyed crowd favorites.
Yeah, we played places where they obviously didn't like it and having said that, we didn't return. BUT the places we do go that like the music, WE play again. And they appreciate us for being who we are, not who the crowd wants us to be at the moment.
I gotta laugh, we played at this little bar that had seen us 100x or so it seems. So the other night, some f**k comes over and says, "Hey Tommy 2 tone, can you cats play 867-5309"?
I asked over the PA if we play that tune and the crowd gave out with a resounding cheer of "NoooooooooOoOoOoOoooo"!
I nodded to my buddy at the door and lo and behold, 10 minutes later that drunk was out the door on his ass.
If you want to play the same old sh*t, go for it. Truth is I think they respect you if you refuse to play what you don't want to play.
Shows you have musical morals and are not a muso-whore. lol
I associate it with the age old argument about "Whether to play originals, covers or a mix of". Everyone does what they think is right. Don't sit there and preach from on high considering no one ever heard your name in so much of a belch, let alone directly.
When you are recognized, then you can be diplomatic with the crowd.
When you are just playing because you love to, you don't need to listen to the crowd at large. That goes double if you have already played there.