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#57975 by Andragon
Mon Feb 23, 2009 12:15 am
joseph6 wrote:The same girl constantly tells me how AMAZING she is at singing "Wanted Dead or Alive" on Rock Band. Funny, I can sing that song pretty accurately, but it nearly blows out my vocal cords every time. And yet, this amateur (who doesn't even do Karaoke) can nail it no problem? :x

Jealous? lol just kidding :)
Now, for real, if her pitch is correct, she gets a high score. She doesn't need to be singing in the same key or with power/tone. If the game were like that, everyone would fail except for a handful.

#57977 by Shapeshifter
Mon Feb 23, 2009 12:22 am
Yeah, you caught me...it's the old green eyed monster! :lol:

#57982 by ZXYZ
Mon Feb 23, 2009 12:44 am
Guitar hero is for wanna-be's that dont have the gutz to learn a real instrument and want instant stardom gratification, but how long before they tire of fake applause? hell the real bands that really make it tire of the real applause and stardom in just a few years usually and break up because of "artisic differences" or such.. say,.. that is fun to rant.. :D

#58136 by gtZip
Tue Feb 24, 2009 4:23 pm
joseph6 wrote: Let's play another game...all the gamers can bring their paintball markers-and I'll bring my 20 guage. we'll play a few rounds. After all, since what they are doing is "just like the real thing", they shouldn't have an issue with the rules, right? :twisted:

Wow, it feels good to rant.


Woh... the spirit of Capt Scott is upon us!
lol :D
Good times.

#58145 by Spiritinthesky
Tue Feb 24, 2009 5:20 pm
I agree, it drives me mad. I was just reading the other day how The Beatles recorded their 2nd album in 12 hours!

#58148 by neanderpaul
Tue Feb 24, 2009 5:48 pm
Some people still do that. Frank Black (of the pixies) does. So did (does?) Niel Young.

Everything live, no overdubs , not even vocals. Very credible in my opinion.

#58270 by Impulse to Insight
Wed Feb 25, 2009 10:26 pm
I read about a program that will take a melody you give it, and then play whatever accompaniment you want to it. So say you sing mary had a little lamb, then select Beethoven (or Metallica/The Beatles/anyone), it will then write an accompaniment in the style of who you selected to a highly accurate degree.

My take on pop/electronic music is that it is business and not really music. The people up on stage and on the radio are creating a product and then marketing it. The level of success pop artists acheive is a function of their political and business skills: that is impressive. If you want to complain about/compete with that, work on your business skills.

My take on great players is that they're selling their performance. It doesn't matter what they play, just that it's impressive and it sounds great. The level of mastery of their instrument is impressive and gains them fame/money. Very worthy, very elite

Then there are composers, which I appreciate most. They write the parts that the great players perform. Without great composers there would fewer great players. A composer doesnt have to be the best piano player, but if he writes something amazing and unique, he has acheived something timeless.

We complain because any a$$hole can make a hit song, but really just because any a$$hole makes something that sounds like a hit song doesnt mean it will actually be a hit song. To make an actual hit one need have one of the three aspects: great marketing/business, performance, or composition skills. It will always be this way regardless of what autotune and computers can do. No use in complaining

#58299 by ZXYZ
Thu Feb 26, 2009 3:23 am
Clicked on your profile, nice sound, Impulse :D

#58300 by repressthecadence
Thu Feb 26, 2009 3:33 am
Impulse to Insight wrote:I read about a program that will take a melody you give it, and then play whatever accompaniment you want to it. So say you sing mary had a little lamb, then select Beethoven (or Metallica/The Beatles/anyone), it will then write an accompaniment in the style of who you selected to a highly accurate degree.

My take on pop/electronic music is that it is business and not really music. The people up on stage and on the radio are creating a product and then marketing it. The level of success pop artists acheive is a function of their political and business skills: that is impressive. If you want to complain about/compete with that, work on your business skills.

My take on great players is that they're selling their performance. It doesn't matter what they play, just that it's impressive and it sounds great. The level of mastery of their instrument is impressive and gains them fame/money. Very worthy, very elite

Then there are composers, which I appreciate most. They write the parts that the great players perform. Without great composers there would fewer great players. A composer doesnt have to be the best piano player, but if he writes something amazing and unique, he has acheived something timeless.

We complain because any a$$hole can make a hit song, but really just because any a$$hole makes something that sounds like a hit song doesnt mean it will actually be a hit song. To make an actual hit one need have one of the three aspects: great marketing/business, performance, or composition skills. It will always be this way regardless of what autotune and computers can do. No use in complaining

That's very insightful. I don't think that all electronic music falls into that category, but I can definitely see where you're coming from with that (and your other points), and I agree with you.

#58348 by Impulse to Insight
Thu Feb 26, 2009 10:25 pm
ZXYZ wrote:Clicked on your profile, nice sound, Impulse :D


Thanks, now if only we could find another guitar player and pull it off like that live. Just rhythms on stage right now.

repressthecadence wrote:That's very insightful. I don't think that all electronic music falls into that category,.


I agree, my friend composes artistic electronic music and does a lot with alternate temperments, so there are definately exceptions.

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