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#269355 by Planetguy
Wed Nov 16, 2016 3:09 am
Jook, what can I say... I'm a bonehead!

Awfully hard to work w those bass takes when I didnt open em up!

I'll take care of it first thing Wed AM.
#269373 by Planetguy
Wed Nov 16, 2016 4:24 pm
MikeTalbot wrote:Mark you define 'eclectic.' Lemmy? I didn't see that coming. Need to pay more attention I guess.

Talbot


sheeeet, mike.....man does not live by bluegrass alone! :wink:
#269381 by Planetguy
Wed Nov 16, 2016 4:56 pm
i'm still not sure what you were asking me in your previous post.

...if i think i think your D5 rub would work against what i laid down?
#269383 by Planetguy
Wed Nov 16, 2016 5:04 pm
i guess i'd have to hear it to offer up an opinion.

sounds like an "interesting" and "creative" move... but will it afford others a viable avenue for further contributions?
#269391 by RGMixProject
Wed Nov 16, 2016 7:46 pm
Jookeyman wrote:Simple as in-

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I O I O I I I O I I I I
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Alternating major/minor 3rd w/ a d5/5 rub one octave apart.
I haven't tried it yet. Just a concept.




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e i e i o
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#269394 by Planetguy
Wed Nov 16, 2016 8:10 pm
I know what a D5 is, but d5/5.....no clue. likewise i have no idea what that hieroglyph represents.

are you talking about "Alternating major/minor 3rd" .....as in building that from a "D" up?

as in D F# A C# E? ...what would in fact be DMaj7add 9 ? (or as it relates to Em... an Em add9, 11, 13 chord)


maybe you could just spell out the chord you're referring to?

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