Displaced Pianist wrote:More good stuff. I've been noticing how these tunes would really benefit from the addition of a piano. (Did I just say that? Shameless...) I assume you've charted all this stuff?
gracias mi amigo!
i have a chart for this one that i wrote out for our sax man....he and i are both pretty lazy. he wants me to write a chart for even the simplest things and i'm too lazy to write charts. we meet somewhere in the middle.
most of my tunes are pretty straightforward and when we're playing three piece like in these videos, it's ME playing the head so i don't need no stinkin' chart. Bill (bass man) will sometimes write a chord chart if he needs one, but tries to commit as much (as quickly as he can) to memory.
as for your shameless pulling on my coat about adding keys

....you know, i've not played vibes in many situations (PJAZZ is the only 2nd band i've "vibed" with).
and this is the first and only (reduntant much?) band i've played jazz gtr or jazz mando with.
That first band Triplicity, started as a trio w me on vibes, an elec piano, and elec bass. Before longed we morphed into a 6 pc w vibes, keys, gtr, bass, drums, and percussion. It was a fun band w good players and we did mostly originals with some standards thrown in.
So...that was a pretty thick soup that i got to cut my "mallet teeth" in, having both gtr and keys behind me when i soloed or played a head. We'd spend a lot of prct room time working on not clogging things up too much behind the soloists but it was sometimes a challenge.
That band split up and PJAZZ formed as a quartet w me on bass, and keys, sax/clarinet, and drums.....after awhile the keyboardist moved and we (saxman, drummer man, and me on bass) tried to keep things as a quartet. We had a few other musicians come and go (for awhile we had another sax man w a more modern style than the other guy...THAT was a seriously fun lineup...bass, drums, and two saxes w no harmony instrument!) I LOVE playing bass w no harmony inst (gtr, keys) to muck things up!
eventually it ended up back as a three pc w the three remaining original guys and we played as bass, sax, and drums for awhile (this is my wife's fave lineup). then the sax man retired from his day gig and for the 4 yrs they spend spring and summers up in WI.
So finding ourself w/o him for 6 mos a yr...we brought in Bill to play bass w us and i moved over to gtr and vibes. (i've recently started playing elec mando because i wasn't carrying enough friggin' equip to gigs!)
All this long winded background stuff to say....at first i had some concerns about playing vibes w such a naked and exposed trio instrumentation. (i'm not a "legit" vibist by any stretch) But very quickly i came to really dig the bare bones nature of the trio approach (remember...previously i was used to having both gtr and keys behind me). It's been good for me, making me get my fecal matter together by not being able to lean on a gtr or keys behind me.
And truth be told, 'm also not a big fan of keys/acoustic piano w vibes....it can work and tons of great classic recordings out there to bear that out....but things easily get cluttered and the voices of the two instr are often way too close to allow enough breathing room to allow the vibes to speak the way i prefer hearing them.
And ...i do like playing gtr and mando w just bass and drums behind it. I like the ability a trio lineup affords to turn quicker on a dime to take things in different directions....plus, i think it's also easier for non musicians and those unfamiliar w jazz to see/hear only three instr/musicians and figure out what the hell is going on, and who's playing what w/o being overwhelmed by too much info. Let's face it, people's attention spans AIN'T what they used to be.
It's funny...you're the second guy in as many days to joke about sitting in/playing w us. And like i told him, if you're ever in the area.....we'll leave a light on for ya!
