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#251380 by Planetguy
Tue Dec 08, 2015 5:53 pm
yod wrote:John was the artistic brains with the edgy voice, while Paul was the popular face and most talented singer. John's songs almost always had a sad introspective quality to them, while Paul's contributions were more "happy" verses/music. (exception of Yesterday). It was that combination that made their compilations appealing to the masses...


i gotta disagree w all that. paul wrote tons of 'edgy' and sad songs. "E Rigby", "She's Leaving Home" (how "articstic" is THAT song using the concept of telling the story from both the daughter AND the Mom's side?!!), "Fool On the Hill", "For No One", "Long and Winding Road", "And I Love Her", etc.....all quite "artistic" IMO.

as for most talented singer....that's subjective at best. many consider Lennon one of THE greatest R &R singers ever. he's certainly on my short list. (along w mac)

He really should have gotten a lot of the credit for composing Beatles music.


that i quite agree with. his writing (arranging skills are amazing) it's funny when you listen to the orchestral pieces he's credited with writing on Yellow Submarine...it's impossible to listen to those pieces that the Beatles had nothing to do with and not exclaim..."BEATLES!"

I highly recommend that every Beatles fan read his book, "All You Need Is Ears" to find out how much of what you love about the Beatles was actually George Martin.


yeah, that was a good read.

And did you know that Ringo is credited as the first drummer to use a pillow in the bass drum to deaden the ring? He was a jazz drummer hand picked by George Martin to replace Pete Best. Without that...perhaps no Beatles success would have happened. A good band with a bad drummer SUCKS!


hadn't heard that before about the pillow. hard to imagine that jazz drummers weren't already doing that for yrs previously. i do know that GM did not want to use ringo on early beatles recordings.

and then, there's Bernard "Pretty "Purdie's claim that he was hired to play drums on many of the early beatles songs. he's never said which, and i don't really recognize his playing on any of their tunes... whereas it's pretty easy to tell when mac is sitting behind the drums.

i also don't know about calling ringo a "jazz drummer" though he has a great "swing feel" to his playing. who else but ringo would have chose to give "Winding Rd" a swing feel??? (brilliant choice!).

to my knowledge ringo wasn't playing in jazz bands before the beatles. i love his playing, but i no more think of ringo as a "jazz drummer" than i do Micheal Shrieve (Santana), Bill Ward (Blk Sabbath), or Steve Smith (orig drummer in Journey)...great drummers all, and that "jazz drummer" bit is often attributed to them....but nah, not "jazz drummers" (tho smith HAS played jazz in other deals....ok, maybe he's a bad example!)
#251381 by t-Roy and The Smoking Section
Tue Dec 08, 2015 5:58 pm
You just want to make me talk by disagreeing with me!!!!!

i do know that GM did not want to use ringo on early beatles recordings.


that's whack!? More lies from a liberal!!! :lol:

GM personally chose Ringo, but here's the real point (pun intended)....do you want to hold a penis?

This was attributed to John, but it sounds like Ringo to me

listen @ 2:45

https://www.youtube.com/watch?v=YQHsF9b1mr4
#251387 by schmedidiah
Tue Dec 08, 2015 9:24 pm
Warms my cockles to hear you praise Bill Ward as "jazzy" and a great drummer, Mark. How bout that first Sabbath album? That was a trip, eh? Wicked World, A Bit Of Finger, The Warning?
#251390 by Planetguy
Tue Dec 08, 2015 9:55 pm
For me the first three Sabbath albums were it. By the time Vol 4 came along....meh. same ol' same ol. i was done.

P-Jazz does "Jive Samba" a tune by Nat Adderly. it's in "F" but when our sax man ain't there we cheat and play it in "E". the main part of the tune just vamps on an E7b9 and you can easily fly Em stuff over it. so, it's really easy to plug in a lot of quotes.

we played a gig this weekend w a bunch of attentive 50-60 yr olds in attendance. after i quoted War Pigs, Iron Man, and Paranoid...we then went into Theme from Peter Gunn, oo7 Theme, Secret Agent Man....and then morphed it into Work Song (another great Nat Adderly tune that i believe was the wellspring for Secret Agent Man) before returning to Jive Samba, which btw AIN'T a samba at all!

it got a great response, lot of laughs and chuckles, and best of all got a few people off their butts to head over to the tip jar... but i think the Sabbath tunes garnered the best reactions.
#251394 by t-Roy and The Smoking Section
Wed Dec 09, 2015 12:39 am
AmosHoople wrote:At that time you could say that every drummer was 'rooted' in jazz as it was the genre that birthed the 'drum set' ...
Ringo with his matched grip became the definition of rock drummer.
No jazz guy visiting London would have used Ringo on a jazz gig!




He started out playing skiffle, a mixture of jazz/blues/folk. As you correctly point out, he invented the matched grip which is closer to a jazz grip than rock. According to this, he is credited with other innovations also:


From All About Drumming:
Starr established a new "approach to rhythm in popular music that some claim continues to grow in its significance and influence with every decade since The Beatles recorded their music." "Starr is also considered to have advanced various modern drumming techniques (for playing and recording) such as the matched grip, placing the drums on high risers for visibility as part of the band, tuning the drums lower, and using muffling devices on tonal rings, along with his general contributions to The Beatles as a whole."

Drummer Steve Smith said: "Before Ringo, drum stars were measured by their soloing ability and virtuosity. Ringo's popularity brought forth a new paradigm in how the public saw drummers. We started to see the drummer as an equal participant in the compositional aspect. One of Ringo's great qualities was that he composed unique, stylistic drum parts for the Beatles songs. His parts are so signature to the songs that you can listen to a Ringo drum part without the rest of the music and still identify the song."



His stylistic drum parts are closer to a jazz approach than a "beat-the-skins" rock approach.



Only a rock musician could take Ringo seriously as a jazz drummer .... go figure! :roll:


Three other rock musicians did..and the rest is history.




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