Jahva wrote:PaperDog wrote:I come from a perspective that insists all music should be art, and therefore should be advanced and promoted as art. Unfortunately, my view is painfully outdated.
I agree PD... and that's a personal view.
To me this is just pointing out how some artists today make $$ by creating art or maybe some contrived formula sounds. It's not all bad. The Walking Dead had some great music of unknown artists on every episode. That was the number 1 rated show on cable and TV this past season. Millions of viewers heard those bands. Nothing I heard sounded contrived.
Nothing I've heard from you sounds contrived but that doesn't mean your songs couldn't be used on a soundtrack for a TV show or a movie.
I have only written one song , tha was deliberately set out for a commercial musical theme (To a game called Bio Shock-earlier version)
It was titled "Stealing from Eve". I laid down a scratch track of it. I have it buried somewhere. Some young kids heard it and they loved the song...(it was /is such a dead-nuts depiction of the game-theme.) I never submitted it, though. (Due to lack of protective clout)
The way I'm seeing things work, is that they (certain Studios) take a great song idea, borrow from its theme (write their own song with it; just enough to avoid the copyright issues) and then use it instead of the artist's original submission. Its a god awful practice and nobody does anything about that. This raises some food for thought...
To pull off such a practice like that, one would need to have a solid set of very talented session musicians. Well, They don't get paid to be 'original'. Instead, they get paid to adapt. (Big difference).
If you ever receive a solicitation where they ask you to send your songs, consider how easy you make their job's. Consider the revenue 'THEY" will earn from those easy jobs. And of course. You'll never hear back from them.
This is preciesly why I will never respond to online or other advertised forms of song submission deals.
The only correct way to do this,is when you are approached by a real exec, who 'offers you a set price to drum up a set number of songs...Typically , you are given an advance toward that. Even then, you still have to be careful, because many contracts stipulate conditions on expenses...Fo rexample: If yo have to fly to London to Abby Road studios. That flight is on you... If your manager shows up behind you...His Flight is on you...etc etc.
Bottom line... avoid solicitors...You will LOSE in the long run