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Favorite Amplifier Type (Guitar or Bass)

13
33%
4
10%
9
23%
3
8%
0
N/A
0
N/A
11
28%

#16429 by Craig Maxim
Tue Dec 04, 2007 1:11 am
Franny wrote:Ok, i give up...the title doesn't match the poll and whatchu guys are talking about doesn't match either the title or the poll.
So what are we talking about again? :wink: :oops:



Hey, I stuck with the program. I put my favorite guitars I like, both acoustic and electric, and voted in the damn poll too. LOL :-)

#16442 by Franny
Tue Dec 04, 2007 4:43 am
Craig Maxim wrote:
Franny wrote:Ok, i give up...the title doesn't match the poll and whatchu guys are talking about doesn't match either the title or the poll.
So what are we talking about again? :wink: :oops:



Hey, I stuck with the program. I put my favorite guitars I like, both acoustic and electric, and voted in the damn poll too. LOL :-)
Ok, i walked right into that one :D
#17373 by Mitchell D
Sun Dec 16, 2007 2:07 am
I had a Gibson Paul once, flat top, 3 soap bar pic-ups, 3/4 neck, don't know the model....was as sweet as anything, fell on it's back on a cement floor....shattered the neck in a zillion pieces. Howz that for fuked? My 74 Pauly Paul with the jumbo frets and the 3 way Semour Duncans is almost as sweet, but the nicest thing I've played lately is a Godin LGXT, a very high quality piece of work
#17374 by Guitaranatomy
Sun Dec 16, 2007 3:07 am
Sonoliento wrote:I had a Gibson Paul once, flat top, 3 soap bar pic-ups, 3/4 neck, don't know the model....was as sweet as anything, fell on it's back on a cement floor....shattered the neck in a zillion pieces. Howz that for fuked? My 74 Pauly Paul with the jumbo frets and the 3 way Semour Duncans is almost as sweet, but the nicest thing I've played lately is a Godin LGXT, a very high quality piece of work


If my guitar dropped and shattered into a million pieces I would flip out, lol.

By the way, on your profile, there is a picture of you at the Machu Picchu, what is like there? I have wanted to go there.

#17396 by HowlinJ
Sun Dec 16, 2007 7:38 pm
My only guitar (and therefore my favorite) is a mid 60's fender mustang with whammey bar.I bought it sometime back in the eighteys at a salvation army thrift store for $15.I was givin an early 60's short necked fender musicmaster from a friend and fellow keyboard player.I swapped the musicmaster to my son for a yamaha synth. Back in the seventies I bought a great moserite from a co worker who was hard up for cash. Some of you older follks may remember the mosrite as being endorsed by the Ventures. Sorrey to say, mine was ripped off.Not being much of a guitarest myself,I do recall it having a very playable neck ,but the guitar seemed very heavy.
Most of the more serious guitarists i've played with over the years tended to use strats,telacasters,Les Pauls and Gibson SGs.The bottom line is its not so much the guitar but the guitarist that matters most.

#17397 by RhythmMan
Sun Dec 16, 2007 7:51 pm
HowlinJ, you said,
" . . . it's not so much the guitar but the guitarist that matters most."
.
There it is, in a nutshell.
Thank you.

#17417 by Mitchell D
Mon Dec 17, 2007 12:24 am
Machu Picchu is stunning, the pictures can't do it justice. ¡Increible!
A film that really catches the vibe of the place is a documentary with a great soundtrack called Peel, The Peru Project... it's some big wave surfers from Hawaii on a trip to Peru. There's places you can surf for over a mile there, longest lefthand breaks in the world. Anyway these guys are all hungover after a party night riding in a car, checking it out and one guy says, "Dude.....it looks like some strange dream I would have." Couldn't have said it better myself.

#17438 by Guitaranatomy
Mon Dec 17, 2007 7:42 am
Sonoliento wrote:Machu Picchu is stunning, the pictures can't do it justice. ¡Increible!
A film that really catches the vibe of the place is a documentary with a great soundtrack called Peel, The Peru Project... it's some big wave surfers from Hawaii on a trip to Peru. There's places you can surf for over a mile there, longest lefthand breaks in the world. Anyway these guys are all hungover after a party night riding in a car, checking it out and one guy says, "Dude.....it looks like some strange dream I would have." Couldn't have said it better myself.



Awesome. I would love to go there, man. One day I will, lol. But you need all these vaccinating shots before you can go. I have allergies, so that ought to be fun. I am interested in all of that ancient stuff. I know a lot about it.

Peace out, GuitarAnatomy.
#17458 by FastFret
Mon Dec 17, 2007 3:34 pm
bluesyrosey wrote:Hi you guys,
I am about to decide on an investment...Martin or Taylor ? You seasoned players, I am torn... hey, let music grace your day....and Happy Holidays to all of you... Rosey


Taylor all the way!

Someone mentioned a Tacoma, they are also beautiful sounding and playing guitars. I had a Tacoma that I loved, came down with the flu and had set it on the heat duct outlet.... sick for a week while the thing cooked..

I ruined it. :cry:

For electrics I like LesPauls... But I had an Ibanez Ghostrider that was a sweet guitar too..

#17707 by Paleopete
Fri Dec 21, 2007 4:39 am
amps...Fender Super Reverb and Twin Reverb and my trusty old Peavey MX. Low power practice amp, Fender Champ (all tube 6 watter) can't be beat.

Guitars..right now my favorite is a Korean Squier strat, it's the one in my hands most at gigs, and the one in my avatar. Catching up with it quick is a Cort CL 1500 hollow body, a bit of work and I'm really starting to like it almost as much as the strat. I can't play Les Pauls, or most of them, the necks are always too fat.

Acoustic...I've played a couple of Martins I liked pretty well but most don't really impress me that much, Ovations almost always sound good but don't all play good, and my Takamine is the one that got me to lay down my money. Older Epiphone acoustics were good too, I had one for 10 or 12 years until it was stolen, always liked it a lot.

I always listen to electrics unplugged first too, like someone said earlier in the thread if it doesn't sound full and live, good sustain and just plain soound good, I put it down and move on to another without ever plugging it in. The ones that sound dead and lifeless unplugged never sound good plugged in either. The only exceptions are the $2 and $4 guitars I've bought at garage sales, to tinker with and learn setups and modifications. I make those sound good one way or another even if I have to use them only for slide. Cheap older Japanese guitars often sound just awesome for slide.

#18281 by Paleopete
Sun Dec 30, 2007 5:28 pm
I wish I could find a Breadwinner or Deacon, both were excellent guitars. Last time I even saw one was at least 20 years ago. Actually I'm surprised to find someone else who even remembers them, I played a Breadwinner not long after I bought a Mosrite Ventures model double neck (1974), knew immediately I had made a mistake. Wanted to sell the Mosrite and buy a Breadwinner but never did. Now I wish I had...Best thing for me was the range of different sounds available, very few guitars can match the playability and tonal range of the Breadwinners and Deacons. I love the necks...

#18320 by HowlinJ
Mon Dec 31, 2007 12:19 am
Mozart,

Concerning "aluminum necked guitars", I offer a short story.

Many years ago I played in a band with a guitar player who purchased a new "Travis Bean" six string. The lad's father, a master builder, told him that in his opinion, aluminum seemed a poor choice of material for a guitar neck. It turned out that his dad was right. Whenever "The Bean" was taken to a gig on a cold winters night, it proved impossable to keep in tune untill the neck stabilized, usually well into the second set! I do recall the guitar haveing good tone and great sustain.

I was curious if you have encountered any similar problems with your "Kramer" ?

#18365 by Bonzo55
Mon Dec 31, 2007 8:29 pm
Gibson Firebird, reverse of course. :D

#18366 by Guitaranatomy
Mon Dec 31, 2007 8:35 pm
Alright, I change my mind. I will go for the ESP later, I now like PRS, lol. I tried one out the other day, it rocked!

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