Norway
My experience is different than yours in some ways. I'm one of those "old guys" but I'm starting to look for younger guys to play with. I'm sick if the tired, jaded bullshit about not playing originals, and you have to do this, and you must do that. "Do you know an AC/DC tune?" (No! I know Talbot's tunes)
The ones I've jammed with recently or talked to in the last six months reminded me of Miz Friday's zombies. (excluding one lovely blues jam where we all knew it wasn't going to happen band wise but decided to wail anyway since we were there and ready)
Yet when I was a young player an older dude (jazz guy) took me and my brother under his wing and taught us much. He had the theory and he had the heart. The first time we jammed he took my bass out of my hands and handed it to my brother. He set me down at the piano and said, "if you want to be a musician - play it. Otherwise you're just an instrumentalist." He fired up his clarinet and we were off to the races.
His name was Jack Lindsay and his wife was the manager of our rock band - the other two guys in the band were Jack's cousins but he wouldn't play with them because they weren't serious enough. I hope he is still kickin'.
My take on theory is that you ignore it at your own risk. Alternative is shredding in A until you are dragged off the stage and sent to the recycling center...
I don't care how old the players are. Its the heart that matters. If I have to push a player on stage in a wheelchair I'll do it if he/she cuts the mustard. Or alternately some kid with a jones to play is always welcome too - same standards for both: the ability and discipline to get it done.
Talbot
My experience is different than yours in some ways. I'm one of those "old guys" but I'm starting to look for younger guys to play with. I'm sick if the tired, jaded bullshit about not playing originals, and you have to do this, and you must do that. "Do you know an AC/DC tune?" (No! I know Talbot's tunes)
The ones I've jammed with recently or talked to in the last six months reminded me of Miz Friday's zombies. (excluding one lovely blues jam where we all knew it wasn't going to happen band wise but decided to wail anyway since we were there and ready)
Yet when I was a young player an older dude (jazz guy) took me and my brother under his wing and taught us much. He had the theory and he had the heart. The first time we jammed he took my bass out of my hands and handed it to my brother. He set me down at the piano and said, "if you want to be a musician - play it. Otherwise you're just an instrumentalist." He fired up his clarinet and we were off to the races.
His name was Jack Lindsay and his wife was the manager of our rock band - the other two guys in the band were Jack's cousins but he wouldn't play with them because they weren't serious enough. I hope he is still kickin'.
My take on theory is that you ignore it at your own risk. Alternative is shredding in A until you are dragged off the stage and sent to the recycling center...
I don't care how old the players are. Its the heart that matters. If I have to push a player on stage in a wheelchair I'll do it if he/she cuts the mustard. Or alternately some kid with a jones to play is always welcome too - same standards for both: the ability and discipline to get it done.
Talbot