philbymon wrote:Hey Paul! Good to see you stop in to say hi, anyway.
Glad to know you're still at it. The jingle biz is tough, man. Best of luck with it.
Good to see you Phil! Did you work in the jingle biz?
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philbymon wrote:Hey Paul! Good to see you stop in to say hi, anyway.
Glad to know you're still at it. The jingle biz is tough, man. Best of luck with it.
Shredd6 wrote:Nice Paul! You know I dig your stuff dude.
You know, I still think "I'm gonna get you" is your best jingle. And I think it's because it so out there and unique. I think you should have a little more fun with your jingles. Don't get me wrong, I like your music, I'm pretty sure you know that I think you're extremely talented.
You have a really awesome creative mind for music, and when you get into that wacky mode is where I think you're gonna hit something jingle-wise. I'd look forward to hearing you getting demented musically Zappa style. With loopers and samples, even drum machines and just plain banging on household items and recording them.. Vocals with effects and crazy harmonies..For some reason, I think you of all people can get REALLY crazy with it.
Just some food for thought from my perspective. It's in you to do stuff like that in a professional manner, I'd like to hear you explore that side a little more.
philbymon wrote:I'm checking out your jingles.
"Feeling Fine" - great underlayment for voice-over. The dbl whistling is a cool idea, but for a commercial, think of it like this - a single whistler would be easier to emulate for Mr Average Joe, & that's who you wanna hit. You want everyone to have that melody in his headbone. You want everyone whistling your lil tune. On something simple like this, you need to keep it simpler, imho. That's not to say that you couldn't do an entire 'whistling synphony' in another piece, though!
"Gourmet To Go" - have you presented them with this? Very catchy! Needs a better recording, though this one might work at the local level. Always think about national coverage, when you're doing this sorta thing, cuz it could happen. If your recordings are up to snuff, you'll be in like flint. If not, you'll only sell at the local level, occasionally, at best. Btw, if you DON'T sell exclusive rights to your customer, then you can RESELL the tune to a national customer. It happens all the time. That's why you want your recordings to be so top notch. If it's impressive enough, someone else may pick it up & run with it.
"Downtown Hawk" - this is okay, but the guitar work needs to be quicker & punchier, imho
Overall, I'd say that your efforts are in the right direction, but you need to work on upgrading your recording capabilities, & you prolly need to hire someone for your leads who has experience in the field.
Also, try to find the name of a pro recording studio who does this stuff (by checking in the sourcebook) & buy yourself some time there (don't let on that you're getting into the jingle biz). You'll probably learn a whole big bunch just from doing that.
Finally - when I was looking into this, I found a local ad agency, & spoke to the most beautiful woman I ever saw in person (not that that has anything to do with this convo...). She gave me lots of tips, & played some pro recordings for me, from some outfit like the one you want to start up in the mid-west, & I could see the difference between my work & thiers. Go to those places that buy jingles - radio stations, tv stucios, ad agencies - & find out what their needs are.
That's the best advice I can giive ya, Paul. Best of luck! There's good $ to be made doing this, but it ain't easy.
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