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#102047 by philbymon
Fri Feb 26, 2010 11:50 pm
1 ) Open your sinuses & let the sounds ring through your entire head. It sounds way different that way, btw, & gives you more volume, but it's harder for some ppl to retain pitch control this way, at 1st.

2 ) Breathe from your diaphram, not your chest muscles.

3 ) Don't squeeze the notes out through your throat, if you can't hit that note today, don't strain.

4 ) Check yourself often by recording & listening to your development, if you don't have anyone to work with. Check esp for pitch, breath control (phrasing), tremolo shouldn't be done in the throat but through the diaphram, stuff like that there.

5 ) Gradually work on increasing your range. Don't strain.

6 ) Practice daily for 20 minutes straight for the 1st week, working on stretching your range; holding a note without wavering, & then ending with a touch of tremolo; doing those ridiculous "yoy yoy yoy" & "we-you we-you we-you" sounds while you stretch your facial muscles when you go through your scales; inhale through your nose.

7 ) ALWAYS breathe through your diaphram, or your throat tends to tense up, for some ppl.

8 ) After the 1st week, increase your vocal exercize regimen monthly, by 5 minute increments, over the next 6 months.

9 ) Try singing a pentatonic one day, starting at your lowest range. Each time you complete your scale, go up 1/2 step & do it again up & down, until you reach your upper limits. The next day, just sing the 1 - 3 - 5 - 8 - 5 - 3 - 1 of the various keys in your range.

10 ) Try doing a series of 8 note major scales with a "ha ha ha" once in awhile. Remember to push it out from your diaphram. It might surprize you how quickly you tire of that, in a physical way (not just getting bored tired of it!), at least until you relearn how to breathe. 90% ot the world's population don't breathe properly.

11 ) If you have a decent falsetto, try to do a few scales only in that highest register. Note when you need to alter your muscles, the shape of the stuff inside your neck & face, as you go high or low. Learn your limits for each vocal register. Note how the tone naturally changes as you go from register to register, then try skipping one, like going from your lowest to your highest ranges, occasionally. Don't slide into the notes. Hit them dead on.

12 ) Be very aware of your posture. Straight back, shoulders down but NOT slumped (squared, with neck extended upward, shoulders as far from the ears as you can get them, but keep them level, not slumped), standing is always best for singing. Try not to fidgit so much! (LOL)

13 ) When you inhale, hold your hand over your diaphram. Feel how it works as you inhale like you're sucking air through a straw. Go ahead & purse your lips at 1st if you must, to remember this. You'll get the best inhalations, the most air, that way.

14 ) Keep yourself well hydrated. Drink tepid water when you're singing, or a special mix I used to use is pretty helpful, too. Approximately 10 oz water, 2 oz dark apple cider vinegar (or fresh lemon juice, if you must, vinegar's much better overall), honey to taste. Keep it room temp. Some ppl recomend lightly salted water, again, at room temp.

15 ) Experiment with different tones (voices) as you sing. Record them, & choose the ones you like the very best, keeping in mind that there are different tonal needs in different songs & music styles for vocals just as for guitar or bass.

16 ) Practice loudly. You'll find it easier to control things at the softer volumes once you've mastered your range, breath, posture, & pitch, etc, in a loud voice.

Work with a keyboard if you can to continually check your pitch.

That's what I always tell ppl that are starting out, if they can sing at all when they come to me. It's a lot to remember, really. This info is covered in about 8 or 10 lessons, for most ppl.
Last edited by philbymon on Sat Feb 27, 2010 12:35 am, edited 1 time in total.

#102052 by philbymon
Sat Feb 27, 2010 12:33 am
Sorry. I didn't put any of that into a coherent lesson plan.

I don't know what your specific needs or problems are, so I just tossed stuff out there for you. The long vowel sounds should be done while exaggerating your facial expressions past the point of comfort. Stretch every muscle in your face if you can. I know it sounds stupid, but it works!

Avoid dairy products when you're singing. Cheese & milk will flook up your voice, & add phlegm into the mix, which you really don't need for singing.

#102055 by Robin1
Sat Feb 27, 2010 12:46 am
Thanks Phil....saw this and I think I am going to practice a few of these.

:)

#102062 by fisherman bob
Sat Feb 27, 2010 3:02 am
After you've mastered steps 1 through 16 (above) go book yourself a gig and if nobody throws any beer bottles at you then you have successfully completed Philbymon's Vocal Lesson...

#102069 by gtZip
Sat Feb 27, 2010 4:53 am
ok, step 1) huh? I dont know what you mean by 'open your sinuses up'.
Flare my nostrils?
Breathe right strips?

#102084 by philbymon
Sat Feb 27, 2010 12:41 pm
That's a toughie to explain. When most ppl sing, they don't let any of the sound go up through thier nose. It all comes out the mouth. By opening the sinuses, the sound reverberates through the sinuses & comes out your nose. as well. You can actually feel the sound vibrating through your head. That's the best way I can explain it without actually being there watching what you're doing.

Um, just for curiousity's sake - how did you know your cat objected to the way you sing now?

#102197 by Paleopete
Sun Feb 28, 2010 2:02 pm
1. Drink lots of booze.

2. Snort lots of white powders...any or all of 'em...

3. Smoke as much weed as possible, stay stoned for days...

Join a heavy metal band and you're assured success if you can scream all night reasonably close to the right pitch...

:D

I just had to do it...

#102218 by philbymon
Sun Feb 28, 2010 6:22 pm
Another thought - all drugs, including caffine & tobacco, dry you out. Avoid them, esp when you're starting out. After awhile, you can try them just to see that there IS a big difference. I never reccommend carbonated drinks either, for the same reason. Do everything you can to assure that every part of your entire vocal machine is well lubed with H2O. There is nothing that can kill a good voice like the dryness produced by drugs & alcohol & carbonated drinks, other than constant straining. (Quit yelling at your cat! LOL)

If you ever feel a curious "doubling" effect in your voice, you should stop singing immediately. It could be nodules on your vocal cords, or worse. See your doc if you experience this, cuz it is serious. The only time you should get that is if you're doing that odd buddhist temple type "throat singing," which I truly doubt anyone in here is working on, or capable of.

#102324 by Paleopete
Mon Mar 01, 2010 7:14 pm
Nothing cold, carbonated or alcoholic when I sing, I usually drink room temperature water or water with lemon juice. The lemon juice helps clear the vocal chords. Sometimes coffee, even though the caffeine isn't great, something warm is good sometimes.

#102880 by philbymon
Sun Mar 07, 2010 2:01 pm
Once you're singing on a regular basis, & getting your chops down pretty well, it's time to work on microphone dynamics.

It's best to record this step.

Sing a song with a lot of variety in it...i.e. - high & low notes, loud & soft parts. As you sing, try to keep your volume level constant through the mic. This of course means you hafta back off the mic to sing loud (& high, if you aren't using your falsetto), & move right on in when you sing soft or low. Look at your recorder's volume meter as you sing, & try to keep it constant. (You can also listen to see if you're enunciating well, though it is tough to judge oneself on this, cuz you can always unnerstand your own words.)

For some reason, this is an area where many many ppl seem to have troubles, even more than staying in pitch & timing. I think it's due to it being totally ignored until ppl find themselves on stage, totally unprepared. They sing all the time, but never practice with thier 2nd most important tool.

You can be a really good "singer" & be useless as a singer, if you get my drift.

Last night I was using an SM57. I like them, but they are very different from the SM58's or BETA58's I usually use. You really need to know the sweet spot on your mic, & know how to use it. What happens when you move to the side of the sweet spot? On a '57, the volume drops to nearly zilch, while on the SM58, & even more so with the BETA58, you still have a lot of sound coming through. Know where to sing as well as how.

#103355 by gtZip
Thu Mar 11, 2010 8:21 pm
I totally missed yourr cat question.
well... I was practicing singing a certain song, and the cat was looking at me with what seemed to be an expression of alertness and scrutiny.
Then he ran off.

A little later on I discovered that the cat had attempted to take a dump in one of my shoes.

Due to the weird animal experience, I immediately thought of you.

Still havent figured out the vibrating head thing, but some people have said that its a no-no to try to sing through my nose.

#103360 by philbymon
Thu Mar 11, 2010 8:52 pm
Hum. Then, combine the hum with open mouth singing. The sound vibrates your whole head.

It's difficult & it does not mean to have a nasally whine to your voice. That results from singing through your throat with muscles clenched that should be open.

When you open all airways up & let the sound flow through them all, you're singing "properly." Few ppl actually do that, though, & it wears out stuff when you don't.

#103362 by Ryan_Strain
Thu Mar 11, 2010 9:02 pm
I think what Phil is trying to explain there is what my mom's vocal coach always said:

Sing the way you talk.

A little exercise he would make her do, was read a paragraph, and slowly transition to singing the paragraph.

A lot of people when they sing, they try to sound like something or someone that they're not instead of just being themselves. They try to completely get rid of the nasal sound, and only use their mouth, and it ends up sounding flat, and pretty cheesy.

I'm no vocal coach though, so let me know if that's not accurate. But it's just something I've noticed

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