#101592 by RhythmMan
Tue Feb 23, 2010 3:56 am
Tue Feb 23, 2010 3:56 am
My 2 female singers have been missing rehearsals.
.
I need someone I can count on, so, ok, I placed an ad on Craigs list.
. . . "Girl to sing jazz, blues, rock, and folk - all originals."
.
I got 4 responses within a week.
.
One actually said she'd commute 4 hours (every week) to rehearsal, but I'm skeptical about that.
. . . down to 3.
.
Of those 3 (ages 36, 32, and 27), all live within half an hour from me.
.
I started with 4, down to 3.
So far, so good.
I'm trying to schedule times for each and all of them. One said she'd show at rehearsal tomorrow; the other 2 are pending . . .
.
If they're half-way good, I'll pour everything into them, and groom them to be real performers.
If they're ALL good - I'll take on all 3 of them, and make one of them a star.
.
And, therefore, with attrition and cancellations, I might get 1-2 singers for every rehearsal and gig.
or not . . .
.
OK, from past experience, I'm feeling cynical about this.
People talk big, but a real lot of my music is pretty hard to sing and play.
About 1/3 of it is relatively easy, but the rest . . .
. . . 4 and 5 part harmonies, call-and-reponse, synchopation, counterpoint, staggered responses, vocals centered around really unusual chords . . .
And most folks get cold feet.
.
But I might be pleasantly surprised, this time; . . . who knows?
.
Soooo . . .
Any bets as to how many of them I'll actually meet?
Or if they can sing, have the chemistry, and are dependable, and what-not?
.
.
I need someone I can count on, so, ok, I placed an ad on Craigs list.
. . . "Girl to sing jazz, blues, rock, and folk - all originals."
.
I got 4 responses within a week.
.
One actually said she'd commute 4 hours (every week) to rehearsal, but I'm skeptical about that.
. . . down to 3.
.
Of those 3 (ages 36, 32, and 27), all live within half an hour from me.
.
I started with 4, down to 3.
So far, so good.
I'm trying to schedule times for each and all of them. One said she'd show at rehearsal tomorrow; the other 2 are pending . . .
.
If they're half-way good, I'll pour everything into them, and groom them to be real performers.
If they're ALL good - I'll take on all 3 of them, and make one of them a star.
.
And, therefore, with attrition and cancellations, I might get 1-2 singers for every rehearsal and gig.
or not . . .

.
OK, from past experience, I'm feeling cynical about this.
People talk big, but a real lot of my music is pretty hard to sing and play.
About 1/3 of it is relatively easy, but the rest . . .
. . . 4 and 5 part harmonies, call-and-reponse, synchopation, counterpoint, staggered responses, vocals centered around really unusual chords . . .
And most folks get cold feet.
.
But I might be pleasantly surprised, this time; . . . who knows?
.
Soooo . . .
Any bets as to how many of them I'll actually meet?
Or if they can sing, have the chemistry, and are dependable, and what-not?
.