gtZip wrote:I hear the emotion in a lot of what malmsteen has done. I don't buy what the blues based guitar people usually have to say about him.. that theres no feel, no emotion or anything. I hear plenty of it.
I think more than anything its the classical style that turns people off. And the little copycat race that he started of classical style played as fast as you can.
some lead guitar I would pick David Gilmour.
Here he is fighting a 2000 year old fender strat:
http://www.youtube.com/watch?v=3W6hBI1SAL4
I teach legit playing ( classical style ). But I can't teach it well without telling my students to play their music as if Arteth Franklin was doing it. Who's Aretha Franklin? They always say. Then I play an Aretha Franklin tune for them. Listen to how she belts parts that need to be belted and is subdued where it is needed to be subdued. Notice her feeling , her expression. Suddenly, Teleman comes to life. Suddenly boring, enexpressive classical music...rocks. To really get the full circle of music you gotta connect the dots. If you leave out any of the dots the music seems disjoined and unrelated. We think of Bach as a Classical/Baroque composer be he was actually a jazz player.Once the dots are connected then the full story can be told.
I liked the David Gilmour vid. Thanks.
Liked this very much.