It is what it is until it isn't
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That's why I don't want to go back out and start electric guitar gigging - more money out of pocket. What I've got for electric is fine for at-home recording, and I sold off the stuff I had used in Instant Karma.
My reverbnation site: http://www.reverbnation.com/mikebirchmusic
Youtube: http://www.youtube.com/mikebirchmusic
Facebook: http://www.facebook.com/mikebirchmusic
Youtube: http://www.youtube.com/mikebirchmusic
Facebook: http://www.facebook.com/mikebirchmusic
As a songwriter, this video makes me want to sell everything and go into accordian repair.
No, seriously, songwriters are screwed. There will be no income for a person who isn't performing live the way things have gone. That means we will be covering classic rock forever, because there is no good reason to be a songwriter anymore.
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No, seriously, songwriters are screwed. There will be no income for a person who isn't performing live the way things have gone. That means we will be covering classic rock forever, because there is no good reason to be a songwriter anymore.
.
It is what it is until it isn't
jookeyman wrote:Sort of a dichotomy, Ted.
We have a society that wants to OWN more and more but they don't want to pay for it!!!
The problem is that google, spotify, et al have made deals with record labels that cut the songwriter out. I kept asking Spotify why I should be held to a deal they made with someone who doesn't represent me, and if fact, has screwed me before already.
I think if we brought visual art (album covers) and music back together, we would have something again.
That does nothing to help the songwriter, only the record label, who can then choose to screw the artist. I guess the more things change, the more they stay the same...
But in the past at least the songwriter didn't get screwed (if he could prove the copyright) unless Led Zeppelin covered them.
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It is what it is until it isn't
Why album art is absolutely crucial for success in 2016
Posted by Guest Blogger
Seeing will always be part of hearing.
I remember hanging records on my wall when I was a kid. The art on the covers created a magic little world.
It painted a picture to go with every bar of music. Albums were sacred objects that I cherished.
But fast forward to now. When everything is streamed online. And album art is often reduced to a small digital square no larger than a golf ball.
Hardly big enough to create a world…
But that doesn’t mean that album art is any less important. In fact, it’s more important than ever when it comes to music promotion.
Album art still creates. Just in different ways.
It might not work the same way it did 20 years ago. But it’s still a powerful form of representation that every musician should be considering.
For many reasons…
EVERYTHING THE SAME AS EVERYTHING ELSE
Sharing platforms like iTunes, Spotify, and YouTube are powerful streaming tools.
The reason so many people listen with them is because they’re easy to use. They organize everything in a streamlined way.
But the concept of the album can often suffer because of it.
Albums are often reduced to a few categories: artist, track title, album title.
On top of that, it’s all displayed in the same font, the same rows, and the same view as every other album.
THE ONLY SPACE TO CALL YOUR OWN
Which is why that small square that displays your album art—usually about 10% of the entire page—has become so much more important.
Sites like SoundCloud and Bandcamp provide more customizable space for artists.
That’s why they’re still the obvious choice for independent musicians.
But on platforms that make everything look the same, your album art is the only space that is completely up to you.
WHEN ALBUMS WENT DIGITAL
When music was first moving online, the album was still the go-to format. It’s what made the Apple store so successful a few years ago.
Before streaming took hold, it was common for music consumers to buy and download full albums (ahhhh, the good old days).
Even though albums could be chopped up, moved around, put onto playlists or rearranged into a different order, they were still browsed and bought in the same way a physical release was. For awhile, the album format simply moved online.
Those days are over.
THE DEATH OF THE ALBUM
Streaming has become the new norm and the ‘album’ format continues to fade because of it.
Look no further than Apple for proof. The recent launch of their streaming platform Apple Music shows the state of the current music industry.
It also marks a huge move away from the ‘album download’ model that iTunes made so popular.
It’s even rumoured that iTunes may even be preparing to shut down music downloads completely and focus solely on the Apple Music streaming platform—a rumour that Apple has since denied.
But no matter what the plan is for iTunes, it’s clear that streaming is the future.
So what does streaming mean for the album? And more specifically, album art?
THE PLAYLIST EFFECT
Streaming’s biggest effect on the album has been the rise of the playlist.
These days, algorithms often suggest music to listeners. It’s how the majority of music is consumed.
Albums rarely ever play start to finish anymore. Instead, individual tracks are removed from the album context and added to auto-play playlists.
But guess what’s displayed when a track comes on in a playlist? The album art.
If someone likes a song in a playlist, the album art has become the listener’s first step to digging deeper. It’s the image that leads to discovery.
Album art is the bridge between liking a single song and learning more about an album, band, or producer.
The art remains a vital space to grab attention, contextualize a song, or tell the story of a whole album.
It’s the image that leads the right people to your music and turns passive listening into active listening. That means turning casual listeners into super-fans.
ALBUM ART SELLS. BUT WHO’S BUYING?
Guess what else happens when someone becomes a super-fan? They buy your album.
A recent Nielsen study on music spending shows that only 14% of music consumers are super-fans—or ‘aficionados.’
But the ‘aficionados’ account for a whopping 34% of the total money spent on music.
So the new fans that clicked your album art are way more likely to buy your music.
And that doesn’t just mean digital either. It means physical releases too.
LET’S GET PHYSICAL… RELEASES
Physical releases are seeing a huge surge in popularity in the face of streaming.
Take vinyl for example: In 2015 more than 9.2 million vinyl records were sold in the U.S. That’s a 52% increase since 2014.
So why such a big increase? A huge part of it has to do with the album art and the physicality of albums.
Nik Pollinger, a digital anthropologist and consultant for consumer behaviour, recently spoke to TIME magazine about the importance of the physical album:
“What we display in public is used to send social signals about our identities. Making our taste in music visible has historically played an important role in such signalling for many people.” [Owning a vinyl collection] restores this ability.”
EVERY STEP YOU TAKE
Album art represents you. It is there every step of the way on the path from casual listener to super-fan.
Streaming didn’t destroy the need for album art. It made it more important.
Album art isn’t just the picture on the front of your record any more. It’s part of your online brand.
The music will always be the ultimate representation of your project. That’s obvious.
But there is still a visual element to streaming that is crucial for success. Your album art fills that space.
317 billion songs were streamed in 2015. That means that album art popped up 317 billion times as well.
When music moved online, some things suffered. Like album sequencing and sound quality. But the one thing that became more important was the album cover.
It’s the companion that stays with your music everywhere it goes.
And the image that still creates a world.
Posted by Guest Blogger
Seeing will always be part of hearing.
I remember hanging records on my wall when I was a kid. The art on the covers created a magic little world.
It painted a picture to go with every bar of music. Albums were sacred objects that I cherished.
But fast forward to now. When everything is streamed online. And album art is often reduced to a small digital square no larger than a golf ball.
Hardly big enough to create a world…
But that doesn’t mean that album art is any less important. In fact, it’s more important than ever when it comes to music promotion.
Album art still creates. Just in different ways.
It might not work the same way it did 20 years ago. But it’s still a powerful form of representation that every musician should be considering.
For many reasons…
EVERYTHING THE SAME AS EVERYTHING ELSE
Sharing platforms like iTunes, Spotify, and YouTube are powerful streaming tools.
The reason so many people listen with them is because they’re easy to use. They organize everything in a streamlined way.
But the concept of the album can often suffer because of it.
Albums are often reduced to a few categories: artist, track title, album title.
On top of that, it’s all displayed in the same font, the same rows, and the same view as every other album.
THE ONLY SPACE TO CALL YOUR OWN
Which is why that small square that displays your album art—usually about 10% of the entire page—has become so much more important.
Sites like SoundCloud and Bandcamp provide more customizable space for artists.
That’s why they’re still the obvious choice for independent musicians.
But on platforms that make everything look the same, your album art is the only space that is completely up to you.
WHEN ALBUMS WENT DIGITAL
When music was first moving online, the album was still the go-to format. It’s what made the Apple store so successful a few years ago.
Before streaming took hold, it was common for music consumers to buy and download full albums (ahhhh, the good old days).
Even though albums could be chopped up, moved around, put onto playlists or rearranged into a different order, they were still browsed and bought in the same way a physical release was. For awhile, the album format simply moved online.
Those days are over.
THE DEATH OF THE ALBUM
Streaming has become the new norm and the ‘album’ format continues to fade because of it.
Look no further than Apple for proof. The recent launch of their streaming platform Apple Music shows the state of the current music industry.
It also marks a huge move away from the ‘album download’ model that iTunes made so popular.
It’s even rumoured that iTunes may even be preparing to shut down music downloads completely and focus solely on the Apple Music streaming platform—a rumour that Apple has since denied.
But no matter what the plan is for iTunes, it’s clear that streaming is the future.
So what does streaming mean for the album? And more specifically, album art?
THE PLAYLIST EFFECT
Streaming’s biggest effect on the album has been the rise of the playlist.
These days, algorithms often suggest music to listeners. It’s how the majority of music is consumed.
Albums rarely ever play start to finish anymore. Instead, individual tracks are removed from the album context and added to auto-play playlists.
But guess what’s displayed when a track comes on in a playlist? The album art.
If someone likes a song in a playlist, the album art has become the listener’s first step to digging deeper. It’s the image that leads to discovery.
Album art is the bridge between liking a single song and learning more about an album, band, or producer.
The art remains a vital space to grab attention, contextualize a song, or tell the story of a whole album.
It’s the image that leads the right people to your music and turns passive listening into active listening. That means turning casual listeners into super-fans.
ALBUM ART SELLS. BUT WHO’S BUYING?
Guess what else happens when someone becomes a super-fan? They buy your album.
A recent Nielsen study on music spending shows that only 14% of music consumers are super-fans—or ‘aficionados.’
But the ‘aficionados’ account for a whopping 34% of the total money spent on music.
So the new fans that clicked your album art are way more likely to buy your music.
And that doesn’t just mean digital either. It means physical releases too.
LET’S GET PHYSICAL… RELEASES
Physical releases are seeing a huge surge in popularity in the face of streaming.
Take vinyl for example: In 2015 more than 9.2 million vinyl records were sold in the U.S. That’s a 52% increase since 2014.
So why such a big increase? A huge part of it has to do with the album art and the physicality of albums.
Nik Pollinger, a digital anthropologist and consultant for consumer behaviour, recently spoke to TIME magazine about the importance of the physical album:
“What we display in public is used to send social signals about our identities. Making our taste in music visible has historically played an important role in such signalling for many people.” [Owning a vinyl collection] restores this ability.”
EVERY STEP YOU TAKE
Album art represents you. It is there every step of the way on the path from casual listener to super-fan.
Streaming didn’t destroy the need for album art. It made it more important.
Album art isn’t just the picture on the front of your record any more. It’s part of your online brand.
The music will always be the ultimate representation of your project. That’s obvious.
But there is still a visual element to streaming that is crucial for success. Your album art fills that space.
317 billion songs were streamed in 2015. That means that album art popped up 317 billion times as well.
When music moved online, some things suffered. Like album sequencing and sound quality. But the one thing that became more important was the album cover.
It’s the companion that stays with your music everywhere it goes.
And the image that still creates a world.
My reverbnation site: http://www.reverbnation.com/mikebirchmusic
Youtube: http://www.youtube.com/mikebirchmusic
Facebook: http://www.facebook.com/mikebirchmusic
Youtube: http://www.youtube.com/mikebirchmusic
Facebook: http://www.facebook.com/mikebirchmusic
No choice but to do it for fun now.
Agreed - if you're not having fun, move on.
Some people don't like the whole recording process (or mixing-production). For myself, I love the way songs come together while recording and mixing
Some people don't like live performing - but that's the only place left where there is any money left to be made. The money from songwriting/selling downloads/CDs is and will remain pitiful. I love playing live and if I can make some money (for myself or for some charitable reason) doing it, it's all good.
Some people don't like the whole recording process (or mixing-production). For myself, I love the way songs come together while recording and mixing
Some people don't like live performing - but that's the only place left where there is any money left to be made. The money from songwriting/selling downloads/CDs is and will remain pitiful. I love playing live and if I can make some money (for myself or for some charitable reason) doing it, it's all good.
My reverbnation site: http://www.reverbnation.com/mikebirchmusic
Youtube: http://www.youtube.com/mikebirchmusic
Facebook: http://www.facebook.com/mikebirchmusic
Youtube: http://www.youtube.com/mikebirchmusic
Facebook: http://www.facebook.com/mikebirchmusic
I remember seeing Michael Jackson CDs going for less than a dollar in Romania in 1991. You could find a bootleg copy of any American artist being sold openly in stores/kiosks/roadside stands without fear of reprisal for this theft.
Then it became even cheaper in America at $0.
While it's true that music is it's own reward, the point of this rant is that songwriters deserve to be paid for their work like any plumber, or doctor, or waiter, but producing "intellectual property" is a bit more nebulous than, say, a hamburger.
And it just easier to steal a song than it is to shoplift a tomato in the age of security cameras. That same theft of intellectual property has now been hitting the movie industry for a while also. One of America's largest industries is entertainment because we produce so much of the intellectual property the world desires....but songwriters/screen writers /authors are not protected from this theft like a tangible product would be, so the rest of the world can now expect to get our work for free.
.
Then it became even cheaper in America at $0.
While it's true that music is it's own reward, the point of this rant is that songwriters deserve to be paid for their work like any plumber, or doctor, or waiter, but producing "intellectual property" is a bit more nebulous than, say, a hamburger.
And it just easier to steal a song than it is to shoplift a tomato in the age of security cameras. That same theft of intellectual property has now been hitting the movie industry for a while also. One of America's largest industries is entertainment because we produce so much of the intellectual property the world desires....but songwriters/screen writers /authors are not protected from this theft like a tangible product would be, so the rest of the world can now expect to get our work for free.
.
Last edited by t-Roy and The Smoking Section on Sun May 29, 2016 2:01 pm, edited 1 time in total.
It is what it is until it isn't
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