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#24360 by gbheil
Tue Mar 04, 2008 10:49 pm
Some of you guys who have more playing experience, perhaps you can shead some light on a subject for me. I want more tone varience and effect from my strat to meet the need of the different types of music we play. I currently use boss pedals into my PA. How were effects achieved before all of this digital technology? Are there truly advantages in tube vs solid state amps. and what are the disadvantages? I need a metal or very heavy rock sound, a well differentiated blues tone as well as a clean soft tone to match or enhance the acoustic sound of our other guitarist.
Any Ideas ?

#24396 by Shredd6
Wed Mar 05, 2008 4:12 am
sanshouheil wrote:Some of you guys who have more playing experience, perhaps you can shead some light on a subject for me. I want more tone varience and effect from my strat to meet the need of the different types of music we play. I currently use boss pedals into my PA. How were effects achieved before all of this digital technology? Are there truly advantages in tube vs solid state amps. and what are the disadvantages? I need a metal or very heavy rock sound, a well differentiated blues tone as well as a clean soft tone to match or enhance the acoustic sound of our other guitarist.
Any Ideas ?


My first advice would be to get an amp.

As far as tube vs. Valvestate. There is one advantage to having a valvestate.And that is.. You don't have to replace tubes.

I have a Mesa Dual Rec head that has 11-tubes. I recently had to replace them.. The cost.. $200. I try to do it every couple of years. But on average, tube amps usually have anywhere from 4-8.

I just bought a Marshall Valvestate 100 (8100) for $200. But it's a hybrid, it has a 12ax7 tube in the preamp. The cost to replace it.. $15.

If you don't want to spend a lot of money, you can get a 50-100 watt Valvestate for pretty cheap used. In my opinion, valvestates tend to be a little high strung. More treble and mid sounding. Tube amps tend to have a real beefed up bass tone that you just can't seem to get with a valvestate.

If you want to continue to go through pedals into a power amp, you'd have to buy at least 2 to acheive what you're asking for. First do yourself a favor and ditch your Boss distortion pedals. It's not doing you any favors. There are so many other pedals out there that are a ton better if you want to go that rout.

Tube distortion pedals are definitely going to suit you better in that setup. But you would have to buy 2 of them, one for heavy rock, and one for blues tone. And that can get just as pricey as buying a descent used amp.

You can go with modelling pedals or multi effects boards, but the same applies, and they can be a pain in the ass to program and utilize (hit the wrong 2 buttons at once on accident in the middle of a song and watch what happens, you'll be stomping around like someone was shootin' at your feet trying to get back to where you need to be).

To tell you the truth man.. I really shouldn't advise you to go this rout. You should go to pawn shops, and guitar stores and check out the kinds of amps they have and sounds you like. Then either shop on ebay or one of the pawn shops. They can have the best deals by far.

I don't know how much money you're willing to spend so it's kinda hard to give advice.

In the course of the last 2 weeks, I bought a Marshall Valvestate for $200, a tube eq for $150, and a 4x12 cabinet for $120 by shopping on ebay and in pawn shops.. And this setup will do everything you're asking for.

You could consider a 50 or 100 watt combo amp that has a descent blues sound and clean channel, and a Good distortion pedal. (or vise versa a good clean and Distortion amp, and a tube blues pedal) For example: You'd have the clean channel you want, the blues channel you want, and you can run the distortion pedal through the clean channel to get your heavy rock tone..

If you don't have the money for that, Get a good distortion pedal that's made for heavy metal, use your Boss for your blues tones, and just shut 'em both off for your clean tone.

And just so you know. I just happen to swear by tube distortion pedals when someone asks, but there are a lot of descent distortion pedals out there that don't have tubes. Boss pedals are just really low on the food chain in that department in my opinion.

Anyway, I hope this helps.

#24440 by jw123
Wed Mar 05, 2008 3:13 pm
Last night I went to a guitar center and sat down at a lot of amps.

I found this Epiphone Junior Valve amp. Its like 5 watts tube. All it has is a volume knob. I tryed it with a strat and a les paul. I was so impressed I almost took one home. You have to learn to use your volume and tone on the guitar for these to work. But I was suprised at the variations I could get with a straight guitar and amp.

George, Ive listened to some of your stuff and I would recomend looking at a Line 6 amp with built in effects. I played on a couple of these and they can dial in a lot of different tones. As far as wattage you have to think about how loud you guys are going to play. I said to look at one and listen to it. It would probably get all the sounds you want without stompboxes. These amps are reasonable priced. I personally have been trying to get a deal on a POD Preamp off e-bay to use, they have a lot of the same things you seem to be looking for. A nice all in one preamp might work good for you if you are used to plugging straight into a pa.

#24449 by gbheil
Wed Mar 05, 2008 4:52 pm
Thanks guys for the food for thought. I had a Line6 spider amp when Ray and I just got started. I traded it to get myself a better guitar as at the time we were using Rays Behringer PA and Yamaha speakers. I have two Boss stomps a Distortion 2 and a Metal zone. utilizing these two and the Carvin PA we play through now as well as the controls on my guitar gives me some control. but somehow it just dont seem to get it where I want it. I have also been investigating the POD preamps on line. Carvin also carries one that is apparently a hybrid as it has tubes. It has presets and is programable. Has a built in drum program and seperate algorhythms for use live vs digital recording programs. I already have condenser mics I can use to mic an amp into the system. and my practice amp in the office is an Ibanez 15R that sounds pretty good on the overdrive channel.
I,m not sure if I'm a kid in the candy store or a bull in a china shop!

#24489 by Chris2203
Wed Mar 05, 2008 9:02 pm
jw123 wrote:Last night I went to a guitar center and sat down at a lot of amps.

I found this Epiphone Junior Valve amp. Its like 5 watts tube. All it has is a volume knob. I tryed it with a strat and a les paul. I was so impressed I almost took one home. You have to learn to use your volume and tone on the guitar for these to work. But I was suprised at the variations I could get with a straight guitar and amp.


I have an Epi Valve Jr head that I use to kick around with at home. Great amp, will push a 4x12 too! These amps are great for mods, I added a standby, a trebble boost and a gain. Great amps!

I got it to run my POD-XT thru to give it some tube warmth. Kind of a cheap out from spending $500 on the Atomic amp that alot of people are using. It worked well, best bang for $99. LOL!

#24589 by jw123
Thu Mar 06, 2008 3:46 pm
Chris I was curious if the Epi would push a 4x12. They kept getting on to me cause I had it dimed and was just using the guitar volume and tone controls. There was a Marshall stack beside me and I said I wanted to try it. They said just keep playing on the EPI.

Its a neat little amp for the money. Ive been thinking about a rack mount POD XT and a Mesa 20/20 amp to run stereo, but maybe I could get a pair of these to push a cab in stereo for a lot less money.

#24591 by Chris2203
Thu Mar 06, 2008 3:59 pm
The 4x12 I was using the Valve Jr on was loaded with 25watt celestions and it sounded great - not sure how it would do on a 4x12 with 75's like I regularly use.

What you are suggesting in your POD-XT Pro setup sounds like a good idea. I have really been getting interested in lower watt tube amps and how versitle they can be.

#25188 by heatstroke
Wed Mar 12, 2008 2:38 am
Another thing is, what kind of music do you play? If you're playing metal (like myself), I'd recommend a high gain tube amp like Mesa Boogie, Krank, Peavey 6505, and etc... Those amps rule. If you're on a budget, the solid-state Randall's are alright, but in my opinion, they can't achieve that nice tube sound.

But if you're going for something different, you really can't go wrong with Marshall from my experience.

#25193 by Shredd6
Wed Mar 12, 2008 3:31 am
Hey Sanshouheil,

How's the search going?

#25213 by gbheil
Wed Mar 12, 2008 2:00 pm
Kinda on hold for now. Cash flow ya know. Bought my 12yr old son a new .308 for his confemation gift, rifle and good scope set me back a grand. I was gonna spend some of that IT return money on me, but in a way I guess I did. Been tweeking on my metal zone and distortion pedals using some of the info I got from you guys and am getting a cleaner but still heavy sound. We redid one of our tunes and did a thumb nail recording when Ray gets her mixed I'll run her up the flag pole.

#25685 by Shredd6
Sun Mar 16, 2008 11:53 pm
Hey Sanshouheil,

I just ran across this test of modeling amps vs. tube amps. It's pretty interesting, check it out.

http://www.epinions.com/content_3726614660


I guarantee you had I chosen the tube amps more people would have known the difference. It seems to me they were looking to find tube amps that were closer matches to the modeling ones.

There's no way you CAN'T tell the difference between a "Triple Rec" and a "Line-6".

#25691 by gbheil
Mon Mar 17, 2008 1:16 am
Thanks Shredd6, A very interesting read. I dont want to sound like a money bag but I want to have the "right equipment" on my next purchase. I'll save up as long as it takes, I dont want to have to do this again for a good while because I realize without some great improvement in my technical playing ability there is only so much equipment will do for me. I have noticed that Carvin has a line of modeling amps as well as some low watt tube amps, as my PA system is Carvin and I already have an account with them this is probably one of the two I will end up with.
My family and I are going on a little vacation. I'll use that time to cool my jets a bit and make my decision when I return. Leaning towards the tube at present.

#25775 by mistermikev
Tue Mar 18, 2008 5:48 am
well here's my overbearing 2 cents...
I wouldn't get a line6 or a valvestate: for one reason... they tend to "drop out of the mix" at high volume - while competing with drums and bass.
dropout is not the end of the world but for the same money you could get a crate palimino or epiphoney this-er-that.

besides... you have fx already if I heard ya right.
T U B E S !
tubes don't "drop out" on you at high vol...

Granted, a line6 would have great flexibility in fx...
but there is NO SUBSTITUTE FOR TUBE TONE PERIOD END OF STORY.

#25776 by mistermikev
Tue Mar 18, 2008 6:04 am
ps carvin... been to the store many times... they kinda rubbed me wrong on this unfinished guitar I bought there... neck gradually distorted upward at the first fret... my six other guitars were fine...... I wrote them... they didn't write back or apologize or anything... but I forgive them.

there stuff is actually really nice.
Have played a few carvin tube combos...
nice... high gain. Not for me but def good qty.

#25923 by gbheil
Thu Mar 20, 2008 10:53 pm
Carvins customer service sucks. But I have no complaints with the Pa system I own. Back from my vacation and still undecided. DAMN!

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