I’m sure you’ve noticed that mics have changed everything. But most voice teachers and vocal coaches train you without them, as if the acoustic world of Opera and Theater were still popular. Even musical theater uses mics now. Training the voice for acoustical venues, such as; Opera and Theater is an Apple. Training the voice for a mic is an Orange. The effect, the singer has on a mic and amplification, are paramount to what the listener hears.
In electronics there is a graph titled “The Munson Curve”. It explains how frequencies of different Hz, effect the human ear via electronic amplification. If this is not considered during training, the application of the voice will less than attractive, such as; a poorly designed synth.
We at Sing From Feel Studio have been trained in natural voice technique, electronics and acoustics. Therefore, the mic, the amplification (even in the recording studio) and the acoustics of modern venues are considered, in the singing technique we teach. Also the monitoring system; live or in the studio; have to be considered. If one cannot hear themselves effectively, they probably don’t want anyone else to either!
Singers who cannot hear themselves are in fact tone deaf. It’s simple to prove. Record your voice while you can hear yourself and then record yourself when you are drowned out by the music and you will hear the difference. If you have ever performed when you couldn’t hear yourself in the past; you can be embarrassed now.
In electronics there is a graph titled “The Munson Curve”. It explains how frequencies of different Hz, effect the human ear via electronic amplification. If this is not considered during training, the application of the voice will less than attractive, such as; a poorly designed synth.
We at Sing From Feel Studio have been trained in natural voice technique, electronics and acoustics. Therefore, the mic, the amplification (even in the recording studio) and the acoustics of modern venues are considered, in the singing technique we teach. Also the monitoring system; live or in the studio; have to be considered. If one cannot hear themselves effectively, they probably don’t want anyone else to either!
Singers who cannot hear themselves are in fact tone deaf. It’s simple to prove. Record your voice while you can hear yourself and then record yourself when you are drowned out by the music and you will hear the difference. If you have ever performed when you couldn’t hear yourself in the past; you can be embarrassed now.




