I agree with Sans. It took a couple of months and the co-writer I was looking for, contacted me instead. We have been working together for over a year now. The guy is great, couldn't be happier. When you do contact someone I would suggest the first meeting at something like a bar. Just so you can get a feel for where the person is at.
I also had a no show for an initial meeting, which although disappointing wasn’t terrible, with a few beers and a dinner at a Chili’s. It’s rude to just not show up, with no call no explanation. Just to say you will run across folks who don’t actually know this. So do the initial meeting somewhere that’s enjoyable for yourself.
I also had an audition which went absolutely horrible, but it did serve a purpose to teach me a hell of a lot. Mostly that anyone who can’t take the time to do a sit down before hand to discuss the details of what they are supposedly passionate about, has absolutely nothing to offer that I want. During the meeting see what the other person is about. Occasionally you may run across folks who are so far off the page you’re on, they lost the book. It only becomes obvious, after an extended face to face conversation.
What are you doing covers or originals? What style music? Are you planning on winging it at an open mike, practiced gigs, or is it studio recording you’re interested in? What are the end goals? Who has what equipment and what will be needed, what’s available at the location? What scheduling is involved?
Yeah now sure it says a lot of that on most profiles, “assuming” the other person actually reads it. First impressions are awkward enough, no need to add stress to the first gig by throwing in a missing amp, or a difference in what the expectations were etc.
Yeah any audio is better than no audio. This may help set up your computer for recording:
http://forum.bandmix.com/viewtopic.php?p=24267#24267 and the imbedded link is a thread to a few free software offerings that are capable of decent audio recording.