Jonny Deth wrote:I've got the chops, the voice, the talent for writing hooks, the equipment, the looks-I have a brand new sound system for an audience of 10,000.
I should of had drummers fighting one another to record with me but, I'm also a metal musician. Probably the hardest genre to succeed in since it's not that kids crap numetal. Lots of control freaks and childish attitudes in this genre so maybe my perspective is unique to my genre.
I SWEAR every metal musician insists you join THEIR band rather than the other way around. Well, what do you have to offer me other than your services on your chosen instrument?
Generally they're stumped for an answer of substance.
I still don't figure it's a picnic for other genre musicians just the same.
You are quite right. I've gone through so much wheel-spinning to keep my tribute shows whole it's not even funny. Once in a while, you will come upon players who actually get it. Those are the players I try to keep in all of my projects.
But when I lose one (like now, I am short a keyboard player) it's a bitch finding another one that not only has the chops, but is truly the right fit for the project goals.
Either they lie when they say they get your vision, and you find out later, when they start trying to grab the steering wheel, or they have personal issues and you end up taking them to raise like an adopted child...
If you can even find touring class players looking, you're doing damn good. Everybody in every stupid little garage band advertises themselves as a "pro-level" player these days... it's just ridiculous to the point that you might as well just ignore that phrase - it's so blatently misused that it's meaningless.
Oh, and... if you guys know a good keyboard player, I'm looking...
Cheers,
-=Cameron
http://www.cameronlanders.com