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Mic's for "alternative" instrumentation?

Posted:
Wed Aug 11, 2010 2:16 pm
by gbheil
Tony our BUV has decided he wants to add more to the band experience than vocals. He has been playing a shaker egg and some cow bell to add to our songs using his vocal mic.
However Ray has acquired a really neat traditional rain-stick. Made of cactus limb, by hammering the spines inward and filling with and small stones.
Tony is experimenting as well with a dijurido AWA some other percussion instruments.
What would be IYO the best option for amplification?
My gut feeling is to go with a dedicated condenser mic.
Perhaps on an AB switch from his vocal feed?
But then I have plenty of open inputs on my PA for another mic.
What do you guys think??

Posted:
Wed Aug 11, 2010 3:06 pm
by Starfish Scott
Can't honestly say about the mic, I like the a/b on his vocal idea though.

Posted:
Thu Aug 12, 2010 11:19 am
by 90 dB
Stick a piezo mic on it. You can even make one yourself.
http://cigarboxguitars.com/resources/wo ... transducer

Posted:
Thu Aug 12, 2010 12:32 pm
by philbymon
An SM57 night work, if you keep it out of the monitors. Keep it in that sweet spot!

Posted:
Thu Aug 12, 2010 1:35 pm
by gbheil
Cool.
We have a 57 we can try out Phil.
Bookmarked the link 90 ...
Thanks guys!

Posted:
Thu Aug 12, 2010 2:15 pm
by 90 dB
We have a rainstick as well. Sounds great in the studio, but onstage it might be problematic. If you do mic it, try doing it in a period of silence in the song.

Posted:
Thu Aug 12, 2010 2:19 pm
by gbheil
Yeah. Intro for
LET IT RAIN.
Thanks for the advice.

Posted:
Thu Aug 12, 2010 3:01 pm
by 90 dB
Or, you could just glue one of these to the rainstick. You could probably run it into an input channel on your mixer.
http://guitarfuel.com/Piezo_Pickup.php

Posted:
Thu Aug 12, 2010 5:37 pm
by gbheil
Man those are a lot less expensive than a mic.
Probably would not offer much in feed back issues in a fairly loud monitor environment either.
C00L !

Posted:
Wed Jun 01, 2011 5:53 am
by Orange Sound Studio
I'd say go with a small diaphram condenser, cardiod. Most of those things you listed are fairly quite so something like a 57 would require allot of gain.

Posted:
Wed Jun 01, 2011 10:38 pm
by gbheil
Appreciate the feedback.
At this point Tony is just utilizing his vocal mic.
We have been so busy constructing new songs the alternative instrumentation issue has slipped to the back burner.

Posted:
Wed Aug 31, 2011 2:09 am
by JamieSeekingHousematesFor
I second the piezo.
Have a look at:
http://www.soundonsound.com/sos/apr11/a ... -happy.htm
They're also essentially what drum triggers are.

Posted:
Wed Aug 31, 2011 9:20 pm
by gbheil
JamieOxford wrote:I second the piezo.
Have a look at: http://www.soundonsound.com/sos/apr11/a ... -happy.htm
They're also essentially what drum triggers are.
Thanks for the link.

Posted:
Tue Sep 20, 2011 5:11 pm
by blues edge
try an ev 408 , 468 ,767 hyper cardiod & bright, 408 is one of my all time favs

Posted:
Tue Sep 20, 2011 10:09 pm
by gbheil
Thanks for the input bro.
All bets are off till we get this new guitarist up to speed.
Don't want to fight a two front war unless I have too.