There's my "polished turd" kicking the s**t out of your ego.
Squier CV '60's Strat upgraded with all Fender electronics and Custom handwound pickups.
Sold out crowd last Friday night (in fact, people had to be turned away. We had already gone way over fire code capacity.)
And for the record, I do have a 1983 Fender '57 AVRI and a 1993 Strat Plus Deluxe. Are those elite enough for you? Feel free to do a search on them and their worth and praise.
But how much of an idiot would I be to take either one of those, or an expensive amp, or expensive pedal board to a show like this? The venue had no green-room, no place to put your gear except for the side of the stage shared with the crowd. After our set, we had to pack our gear immediately into our vehicles and leave them in the parking lot.
Would you trust that with your "elite gear"?? Elitists have 2-choices. leave your $5,000 worth of equipment in a parking-lot, have a social life, mingle with the girlies after the show, and chance getting it ripped off. Or take your "elite" gear immediately home, have no social life or fun for the rest of the night.
Which would it be for you man?
I love my Squier guitars. A good musician can play any guitar that's half-way decent. The Squiers I have, I've customized to be as good as relatively expensive guitars. Hell, one of my Squiers is made up of US fender parts from Corona (body and neck) from the transition period of when Fender took over the Squier plant in Ensanada.
An electronically upgraded Stagemaster neck-through is as good as anything I've ever played. Maple/ Rosewood neck, alder body, neck-through design for sustain, nice craftsmanship and fret-work.
The GCs here in Vegas won't stock Squier CV '50's, '60s, or Teles because so many people were choosing them over MIM Fenders, they couldn't move the Fenders out the door. For about $350, after upgrades, my CV sounds as good, and plays as smooth as both of my expensive Strats. Not to mention, my "polished turds" make me money. They've already paid for themselves and then some. For such a player of horrible "polished turds" for some reason I still get asked back to play at the HOB, Hard-Rock, and next week BB Kings.
Keep being an elitist, Fender loves your kind. The brand-name purists are their big money makers. Get that $2,500 Strat or Tele stolen, and you'd better not replace it with anything less!! 'Cause anything less is a turd right??? Fender loves you man (in reality, they have no clue who you are). And it works in my favor as well. Anyone interested in stealing a guitar sees the name Squier, and they choose not to. Because they don't know how to differentiate between a good one and a starter Bullet or Affinity.
But wait... That won't happen with you. You're a Gollum who doesn't play out. Smeagol needs to build as many of his precious as he can, never to see the light of day. 50 freaking "elite' pedals, all of that "elite" equipment.. And nothing to do with it but sit in your room and play to the walls (when time permits, gotta keep building your precious).
Get on a forum and pretend to be some sort of "tone pro" because you've put together a bunch of pedal kits.
Meanwhile your amp has garbage in it, and your response was one of the most retarded I've ever seen.
That's your answer? The US stopped producing tubes due to damage to the environment? What does that have to do with anything?? And if that's such a concern to you, then why do you even own a Tube amp? Whether it happens here or somewhere else, you're still contributing to the same damaging environmental effects.. And I'm sure the smoking lead emanating from your soldering gun every night straight through your nostrils to your brain and lungs is any better right?? You don't even know what you have? There's no such thing as a United Tube. If I take an RCA and put "SHRED" on it, does that mean it's a SHRED tube now??
Bottom line is, I know very well how to achieve great tones. I'm not going to sit here and pretend that I HAVE the greatest gear in the world. I don't even dispute the fact that an elitist like yourself doesn't know how to achieve great tones either. But at least I speak from real show experience, and the practicality of what's good enough for live shows. I get compliments on my tones every night I play. Thousands of people have heard my rig and enjoy the music. How many people have heard your precious?? What makes you any kind of reputable "pro" at anything? More like an experimentalist DIYer locked in a closet.
The only point I tried to make was that this "tone sucking" you try so desperately to convince people is such a HUGE thing, is in reality extremely minor. I know from real live show experience. But you resorted to personal attacks. At the same time you're all over the place. First you're arguing tone, then you aren't, then you are... Which one is it dude? One little disagreement, and you act like a child. It's painfully obvious you're insecure about your reputation as a self proclaimed pedal pro.
I can handle that.. But being disrespectful to Sans for no reason was bulls**T!! He's always the first to admit that he's learning, never afraid to ask questions, and asks with utmost humility. For that kind of arrogance, you deserve your fate. Smeagol with his precious.
In the meantime, I think I'll just continue to be an entertainer.
Let go of the ring Gollum..
Get out and play.
.