Mordgeld wrote:
I notice on my acoustic, I'm still getting the little bends in the higher strings at each fret. It feels rough when I run my finger down the string. If I go any thicker, I'm going to have trouble with full bends. I guess I just need to change them more often?
well, i'd say if you're bugged by whatever (intonation) problems presented by them being chewed on....yeah you'd want to change em more often. i'm sure i just stated the obvious.
there's an alliance, but also a war that wages between metal frets and metal strings. both sides do land their blows but thankfully the frets are usually the winners. (i'd rather change strings more often than deal w fretwork).
i do think that frets are the number one determining factor in string life and tone. fret height...a cpl of hundreds too high and that's gonna be taking a slice out strings every time the two meet! fret width has got to be a factor too....older thinner "banjo wire" sometimes a little triangular in profile that's used in some older instr, that's gotta be more trouble than a nice low profile wide or even med wide fret....and that brings up fret profiles and how well they're leveled.
i have a '90 WARWICK Stage One Steamer bass that has frets made of bell brass. they haven't been silver plated so they look like brass and it's a different type of brass than what's used in other brass frets. yeah, the frets against a pitch black fngerbrd w no markings is one of a few things that make the bass a real looker, but i think it's also a big factor in the bass's tone and it's three days of sustain. they are a very wide low profile fret that's pretty much just square little slabs of brass.
after about 6 mos when the string's tone has progressed to the point of it's imminent trip to the trash, they never have the slightest indication of any fret wear. I mean it looks as if the strings came off of a fretless neck!