the flow of conversations here, just as in day to day life go where there go..i get that.
but if we're done discussing how much i am or aren't making on my gigs, and the attendance of swap meets...perhaps we might return to the subject of PRACTICE.
i'd like to address this notion of learning and practicing the academic nuts and bolts stuff.. and then putting all that practice room stuff aside on the bandstand to shoot from the hip and play intuitively. (of course, this is a lot more relevant to non scripted playing....."improvising" if you will....where everything isn't all mapped and instead you have to react in the moment and for lack of a better word....converse.)
that's a notion that gets a lot of traction with improving musicians. "if you think-you stink".
my take on that is that it's largely over romanticized and isn't all that accurate. not for me anyway. yeah, it's great being spontaneous and in the moment when improvising (that's ALWAYS my goal) and i certainly don't want to sound like i'm playing a calculated and worked out solo.
but the truth of the matter is that if i'm soloing over an Am7 vamp....being aware of all the "formula" and "nuts and bolts" mechanics.....the 'RULES"....well, that ALLOWS me to be MORE spontaneous and gives me a bigger well to draw from!
when playing over Am7 i like knowing and exploiting that i can tap into the academic stuff and the knowledge i've put together, like..."gee, i can draw out some cool stuff using the extensions that Bm7 presents" or i can superimpose a 3+3+2 hemiola over this 4/4 time signature....any of the other "left brain" stuff.
no, you don't want to sound TOO calculated and it IS a fine line to tread, but i hear that left brain thinking all the time when i listen to many great soloists like Coltrane, Oliver Nelson, Wes Montgomery Gary Burton, Chick Correa, etc...and yeah......even Sonny Rollins.