KLUGMO wrote:Vibes always remind me of girl from epanema, excuse the spelin.
no worries. i ain't writin' no tickets for spelling. "Girl From Ipanema"....OUCH! well, i actually think that IS a great tune but it is often equated w schlocky lounge music.....or elevator music...or cruise ship tunage. of course as you likely know... the classic version w Getz and Gilberto(s) has no vibes anywhere in sight. on the whole classic album.
Could be more fluid on guitar changes when it is lead instrument.
yeah...well, ALL my $hit could "be more fluid" and that'd be just fine and dandy by me.
do you mean more fluid in outlining the changes? i've got to keep things a little angular because i'm NOT going for a "smooth jazz" elevator/hot tub music vibe. as far as slop....well, that's another story entirely.
Would watch clock with songs too.
actually, we were watching it big time on both those songs. "Georgia" tips in at 4:03. The form is pretty long thru the AABA structure. we played thru the page exactly twice...once with the head (melody) and once more thru the page w me soloing only over the AAB then head for the last A section. we didn't feel we could/should shorten it more than that.
"Song For My Father" clocks in at 4:46. neither are very long compared to how we stretch out playing them live...they only SEEM to go on forever!

Would always look for opportunity within songs to highlite or show-off talents of each instrument with solo.
of course. bassist didn't feel comfy soloing on "GA" but he takes a solo on the other tune "Song For My Father". and ....as you point out....gotta watch the song length for demo stuff like this.....too many solos equals too long a song for this purpose.
on the other tunes we recorded everyone solos... the melody gets passed back and forth between myself and the bassist....we all trade fours, etc
Seems like a mature night club kinda sound. Don't know if there is a market
in your area. Maybe back ground dinner music.
exactly what we're going for. as for a mkt... well, we're trying to open up some gigs at fancier dinner places that don't have music. that's why the laid back vibe and why we're set up so close together. for bar gigs w PLANET we have vocal stuff and stuff w more balls.
A celo and fiddle, I mean
violin would be good addition.
i haven't heard too many cellists that can really make that instrument work in straight ahead and hard bop music. violin....well that's one i hear more on swing type stuff/gypsy jazz and not so much here. plus we still have our sax guy around that'd be joining us on a lot of gigs if the money and room are there.
Lot of talent there.
thanks klug for the compliment, view, and reply.