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#158702 by t-Roy and The Smoking Section
Mon Nov 28, 2011 12:13 am
20 questions every band should answer

Christopher Harding
Salt Lake City Entertainment Industry Examiner
July 22, 2009


Want to know if you’re cut out for a full-time music career? Would you like to know at what level you’re best suited to play? Well, hang tight because that’s exactly what you’re about to have the opportunity to explore.

After reviewing the successes, failures, exciting stories, and disappointments of a variety of artists and bands, I compiled a list of some of the key characteristics and habits of those who have punctured their local and regional envelope and dashed out onto the national scene. I also reviewed interviews and coaching sessions I’ve done with artists or bands who came to the realization that they were really better suited and more aptly served by keeping their efforts closer to home—in their city, state, or region.



The following is, in a very real regard, a list of twenty elements or ingredients that successful acts follow. Whether your dream is local, national, or international, applying these elements will be required if you you want to truly maximize your opportunity. Some of the last questions in the list are also indicators of what else will be necessary if you want to seriously expand your territory beyond your own local scene.



So as promised in the last article (“Want the recipe for band magic?”). the following is a 20 Question Artist Evaluation that you (and possibly your band mates) may want to take. It could give you some insight as to where you are on your pathway.



Simply answer “Yes” or “No” to the following questions (and by the way, if your answer isn’t a solid, unequivocal “Yes,” then it’s “No”—and remember, honest answers will give you more valuable feedback, so tell it like it is):



1. Can you take genuine feedback easily and are you willing to hear ways you could improve without becoming defensive (i.e. are you committed to continual improvement)?



2. Are you willing to push beyond your limitations even when it’s hard and very uncomfortable?



3. Do you talk about how awesome it is when other bands reach a level of success you haven’t yet reached (does it inspire you and stoke you up to do better)?



4. Do you (or your band) regularly write songs that people (beyond your friends and family) are hungry to buy (in whatever format you have them in)?



5. Do you practice at least 3 times a week (for periods of 3 hours or longer)?

And yes, gigs can count as practice. So if you're out gigging multiple times a week and are constantly improving by doing so, great! Just make sure you are also spending the time outside the gigs to improve your performances where needed.

6. Do you regularly rehearse your established sets as if you were doing a live show in order to perfect your entire performance (and get it embodied at the cellular level so you have the freedom to effectively improvise)?



7. Are you fully committed to blowing your audience away every time you perform regardless of where you are and how many people are there (i.e. do you perform full out 10 times out of 10)?



8. Do you regularly make wise, well thought-out decisions in life (do you seek advice from people who are more experienced than you)?



9. Do you have a strong, viable, grassroots fan base that promotes you and serves as your Street Team and your die-hard advocates?



10. Are you accumulating a fan info data base that's in a useable format (including email addresses, phone numbers, addresses, whatever you can accumulate from mailing lists, fan clubs, social networks, etc.)?



11. Do you create opportunities to interact with and associate with your fans in ways that also allow you to celebrate who they are and what they’re passionate about while still leaving them wanting more?



12. Do you have a website, Facebook site, MySpace site, and a Twitter following that you regularly update and utilize to build fan loyalty and interaction (a key ingredient of successful communities)?



13. Is destiny calling you so strongly that you are convinced an essential part of your nature has to do with bringing your music to as many people as you can reach?



14. Is your musical career at the top of your priority list (right after your ethics and your key relationships)?



15. Are your ethics aligned with and key relationships enthusiastically and unrelentingly supportive of your dream and goals about a career in music?



16. Do you regularly get into the studio (how ever large or small) and record your music, work out arrangements, master the art of studio performance (vs. live performance) so that your recorded music captures the verve, vitality, and vibe of your live performances?



17. Is your passion for music and success greater than your ego (i.e. can you drop your sense of self-importance or your story and become results driven vs. ego driven)?



18. Are you comfortable not being home and being on the road in far less than elegant circumstances?



19. Do you have a job(s) and/or the lifestyle that enables you to take time off and hit the road?



20. Are you an incredibly dedicated, tenacious, hard working person (or group) who never gives up?



If you answered “Yes” to at least 18 out of 20 questions, your commitment level and your chances of excelling are high (if you’re in this category and also answered “Yes” to Questions 13 through 20, then your odds of expanding beyond a local and regional level are greatly increased).



If you answered “Yes” to at least 15 out of 20 questions, your commitment level indicates that you have a moderate chance of excelling (and you may likely be better served to stay local or regional).



If you answered “Yes” to less than 15 out of 20 questions, it's likely that you are either not ready to “go for it” or may not have the level of passion needed to take your talent beyond friends, associates, or regulars at the bar or local hang out (and that’s fine, by the way—you can still have a very enjoyable experience sharing your music at the level that works for you).



Now, if you scored lower than you’d like, take a look at the questions you answered “No” to and ask yourself why you didn’t say “Yes.” Is this something you’re willing to work on, learn from, and improve? If so, naturally you can increase your score over time and your odds of taking your musical dreams to higher levels. If not, and you think this questionnaire is bogus, that’s okay too. There are exceptions to every rule and I’d genuinely love to have you prove the survey wrong. Just one thought about that approach, however. In a business that’s already got one in a million odds, do you really want to make the odds even more difficult? Okay, so that makes 21 questions, but you get the point.

Great quotes: Long-time friend and music industry executive, Coby Regehr, commented in a recent email, “In the many years I have spent surrounded by the music industry, I have drawn the same conclusion as you state in your articles. Success has only happened to the ones who truly believe in music, the roots of music, and the sheer love of playing music.” He went on to share a classic quote from Waylon Jennings, who once laughed when asked what it was like to be a big star. “Don't kid yourself," he told the reporter. "Being a star in the music business is really just one long, glorified bus ride.”

Added Tip: For a phenomenal education on an artist’s relationship to the music business, take a look at Donald Passman’s “All You Need to Know About the Music Business.” It’s the like a college level course on the biz that everyone who’s serious about stepping up to the next level should be fully conversant on.

If you enjoyed this article, here are three more you might like “Before you record your music, part 1”, “Want the recipe for band magic?” and “Do it yourself music: Part 1”

Continue reading on Examiner.com 20 questions every band should answer - Salt Lake City Entertainment Industry | Examiner.com http://www.examiner.com/entertainment-i ... t-11823591#ixzz1exHPvjYL
#158710 by PaperDog
Mon Nov 28, 2011 1:20 am
1. Can you take genuine feedback easily and are you willing to hear ways you could improve without becoming defensive (i.e. are you committed to continual improvement)?


NO (Not easily).


2. Are you willing to push beyond your limitations even when it’s hard and very uncomfortable?


YES


3. Do you talk about how awesome it is when other bands reach a level of success you haven’t yet reached (does it inspire you and stoke you up to do better)?


YES


4. Do you (or your band) regularly write songs that people (beyond your friends and family) are hungry to buy (in whatever format you have them in)?


NO


5. Do you practice at least 3 times a week (for periods of 3 hours or longer)?


YES

6. Do you regularly rehearse your established sets as if you were doing a live show in order to perfect your entire performance (and get it embodied at the cellular level so you have the freedom to effectively improvise)?


N/A since i'm not technically gigging (yet). But if i were gigging, practice, rehearse, practice rehearse..In the kitchen, on the phone, in the shower, on the throne... Garage or stage no matter what the age...


7. Are you fully committed to blowing your audience away every time you perform regardless of where you are and how many people are there (i.e. do you perform full out 10 times out of 10)?

Yes (If I were gigging)



8. Do you regularly make wise, well thought-out decisions in life (do you seek advice from people who are more experienced than you)?


Not always wise, but never afraid to ask others therefore... YES


9. Do you have a strong, viable, grassroots fan base that promotes you and serves as your Street Team and your die-hard advocates?


I don't even have any fish, who bow and worship me from the bowl... (Cause I don't gig..yet) But I bet they would if I did gig. ( I hear Handel Water music is a hit with fish)


10. Are you accumulating a fan info data base that's in a useable format (including email addresses, phone numbers, addresses, whatever you can accumulate from mailing lists, fan clubs, social networks, etc.)?


Somewhat yes

11. Do you create opportunities to interact with and associate with your fans in ways that also allow you to celebrate who they are and what they’re passionate about while still leaving them wanting more?


Yes, On the rare occasion that I perform, I tell good jokes followed by good songs. If they dont like my songs, they can write them off as more jokes ;)


12. Do you have a website, Facebook site, MySpace site, and a Twitter following that you regularly update and utilize to build fan loyalty and interaction (a key ingredient of successful communities)?


Ha ha! I do...but mostly, they are bill collectors..



13. Is destiny calling you so strongly that you are convinced an essential part of your nature has to do with bringing your music to as many people as you can reach?

Yes, but only recently


14. Is your musical career at the top of your priority list (right after your ethics and your key relationships)?

Not yet


15. Are your ethics aligned with and key relationships enthusiastically and unrelentingly supportive of your dream and goals about a career in music?


Too obscure of a question... Ethics...Means I wont kill somebody to rise to the top. Relationships...They typically go south... I do not subscribe to the idea of others "supporting my dream." I support my dream and I absolutely do not rely on others to validate or qualify my efforts. The reason I don't have a career in music is because I got married and "she", the marriage trumped and overrode all my other aspirations and endeavors. Never again have I , nor will I rely on others to fill my equation for success.



16. Do you regularly get into the studio (how ever large or small) and record your music, work out arrangements, master the art of studio performance (vs. live performance) so that your recorded music captures the verve, vitality, and vibe of your live performances?


YES- (I don't eat granola every day and don't always want the live performance sound... Sometimes I eat clean commercial Pizza , and I want a clean commercial sound)


17. Is your passion for music and success greater than your ego (i.e. can you drop your sense of self-importance or your story and become results driven vs. ego driven)?


Anybody who tells you unequivocally 'YES'..Is a liar. How about some room for both options here...? Why would I bust my ass to compose meaningful music, if i thought it would never be received or heard by an audience, and without the possibility of reward? This question Basically addresses altruism (Of which no such thing exists ) and is being confused for applied level of commitment. I stand ready at the 11Th hour to to spend another 11 to get it right... But I gotta be convinced that the cause aint dead and that somebody, somehow benefits.


18. Are you comfortable not being home and being on the road in far less than elegant circumstances?


NO. I hate fleabag hotels... Give me the Ritz or the Astoria any day.


19. Do you have a job(s) and/or the lifestyle that enables you to take time off and hit the road?


NO (but that may change)


20. Are you an incredibly dedicated, tenacious, hard working person (or group) who never gives up?


Numero UNO right here....
If you answered “Yes” to at least 18 out of 20 questions, your commitment level and your chances of excelling are high (if you’re in this category and also answered “Yes” to Questions 13 through 20, then your odds of expanding beyond a local and regional level are greatly increased).
If you answered “Yes” to at least 15 out of 20 questions, your commitment level indicates that you have a moderate chance of excelling (and you may likely be better served to stay local or regional).
If you answered “Yes” to less than 15 out of 20 questions, it's likely that you are either not ready to “go for it” or may not have the level of passion needed to take your talent beyond friends, associates, or regulars at the bar or local hang out (and that’s fine, by the way—you can still have a very enjoyable experience sharing your music at the level that works for you).


I take this survey with a huge grain of salt... Here's why... There are folks, right here on bandmix, who could answer 20 out of 20 Yes, and still they are not beyond a certain level in their careers. It bears no accurate reflection of the artists' capabilities herein...

The true metrics for predicting a musician's odds of excelling are found more with 20 yes's IN conjunction with the Industry's "barrier to entry" I don't care how good you are as a musician...will all 20 yes, You arent going anywhere if you don't have the agents and promoters to back you up... And I have seen extraordinary musicians, hidden away from public opps, fame and fortune, because some promoter's weenie did not get sucked that week... (Its why I laugh at the questions that mentioned ethics)

#158717 by Lynard Dylan
Mon Nov 28, 2011 2:17 am
I'm on my third glass of wine, and no
I'm not ready for 20 questions, maybe
tomorrow afternoon. :oops:

#158728 by t-Roy and The Smoking Section
Mon Nov 28, 2011 4:09 am
The true metrics for predicting a musician's odds of excelling are found more with 20 yes's IN conjunction with the Industry's "barrier to entry" I don't care how good you are as a musician...will all 20 yes, You arent going anywhere if you don't have the agents and promoters to back you up... And I have seen extraordinary musicians, hidden away from public opps, fame and fortune, because some promoter's weenie did not get sucked that week... (Its why I laugh at the questions that mentioned ethics)



I suppose that depends on your definition of success.

I believe the writer defines success as being employed full-time as a musician and being able to pay the bills of your chosen lifestyle. I also think by "ethics" he's referring to whether you are sleeping around as a married man, or trustworthy with the band's money, or drink too much to answer a few simple questions. (Hi Lynard) ;-)

Yes, an unsupportive wife is not a good situation, but not insurmountable if you can satisfy her need for security, both financial and emotionally. Otherwise, you have to make a hard choice.

There are probably thousands of indie bands who are making a living that you will never hear of. They are "successful" according to their goals but maybe not measured against Led Zepplin.

So really he's only stating what the common denominator is of those who are gainfully employed in the profession they love...music.

It's not easy to get it off the ground but it's not as hard as we tend to imagine IF you are willing to make the necessary sacrifices that a professional musician makes.

I find that most who wish they were full-time musicians aren't really willing to do that. You say that you have only recently started doing the things that need to be done in order to be "successful". I haven't known you that long but I see the will to persevere and enough talent to work with, so IF you continue to work at it, one day you'll be quitting that day job because you can't afford to keep it.

#158731 by Slacker G
Mon Nov 28, 2011 2:28 pm
Didn't you leave out a few key questions?

21 Do you have a millionaire sponsor who will open the doors for you?

22 Are you related to someone in the music industry who has some clout?

23 Does your a$$ look good in a pair of tight jeans?

24 Are you really cute and do you have enough dimples?

25 Do you appeal to the teeny bopper consumer groups?

26 Are you willing to be a $$$ puppet even though you are truly a hack?

#158734 by t-Roy and The Smoking Section
Mon Nov 28, 2011 3:21 pm
Slacker G wrote:Didn't you leave out a few key questions?

21 Do you have a millionaire sponsor who will open the doors for you?

22 Are you related to someone in the music industry who has some clout?

23 Does your a$$ look good in a pair of tight jeans?

24 Are you really cute and do you have enough dimples?

25 Do you appeal to the teeny bopper consumer groups?

26 Are you willing to be a $$$ puppet even though you are truly a hack?





It certainly wouldn't hurt to have a rich uncle in the music biz, but that isn't a pre-requisite. If your band is truly doing the things a successful group would do, then they will rise to the top in whatever arena they choose eventually.

But don't get success confused with mega-stardom. They aren't necessarily synonymous. There is a certain amount of "luck" needed, but if you aren't ready when opportunity comes no amount of luck will sustain you.

Hey, there is no shame in doing music as a part-time job, or even just as a hobby. Everyone has to start somewhere. These guidelines are reality though. Whether we like it or not, these are the common denominators of those who have careers in the music biz. The successful don't allow themselves excuses or victim-status.

It's just my opinion, but I think most fail by staying where there is very limited opportunity because of a fear of the unknown. I left home for the big city when I was 20 and it wasn't easy. As soon as I left Beaumont TX, some of my friends started getting signed to C&W labels and it looked like a big mistake. It happened for them because George Jones is from there and helped them (Mark Chestnutt, Tracy Byrd, Clay Walker) because they had talent and a professional attitude.

My uncle Robert Smith is the one who got George to leave for Gnashvile back in the late 50s, btw. They used to play together in the Beaumont area but uncle Robert left for Gnashville and hooked up with Web Pierce to do 13 #1 hits in a row in 1953.

But no rockers have come out of there since Johnny, Edgar, & Janice in the 60's. They all had enormous talent but had to leave town, too.

With the advent of the internet and song-brokers like TAXI, one doesn't have to move to the big 3 anymore (NY, LA, Nashville). However, unless you have a house gig somewhere you'll have to be away from home quite a lot no matter where you live.
Last edited by t-Roy and The Smoking Section on Mon Nov 28, 2011 4:19 pm, edited 1 time in total.

#158735 by jimmydanger
Mon Nov 28, 2011 4:04 pm
Your uncle was in The Cure?

#158740 by Lynard Dylan
Mon Nov 28, 2011 6:46 pm
Only could come up with 5 solid yes answers,
hell I got 3 yes answers on Slackers questions.
Also I had 4 solid no answers, 4 I don't know,
2 yes/no, 1 don't understand, 1 not really, and
the rest I thought were kinda bullsh#tish.

I guess I'm a failure :cry:

#158742 by J-HALEY
Mon Nov 28, 2011 7:28 pm
19 of them were a yes! The only one I was lacking in is recording regularly. That is a hard one for me because this cover band I am in requires most of my spare time! :shock:

#158743 by PaperDog
Mon Nov 28, 2011 7:40 pm
Slacker G wrote:Didn't you leave out a few key questions?


21 Do you have a millionaire sponsor who will open the doors for you?

I do actually..I just don't know the name or location of that person (yet)

22 Are you related to someone in the music industry who has some clout?


Are we not all brothers and sisters in the grand schema? :)

23 Does your a$$ look good in a pair of tight jeans?

My ass doesn't even look good in a loose pair of jeans

24 Are you really cute and do you have enough dimples?

My ass looks cute...like a cabbage Patch doll (After its run over by the family station wagon)

25 Do you appeal to the teeny bopper consumer groups?


Yes...especially the ones who want everything for free..

26 Are you willing to be a $$$ puppet even though you are truly a hack?


I'd be willing, as long as I didn't have to invest in accessories to hilite my 'hackness"

#158763 by gbheil
Mon Nov 28, 2011 11:16 pm
Not tonight honey I have a headache.


Tomorrow ain't looking too good either.


Hard work meets dumb f#@king luck ... that's what I'm banking on. :lol:

#158781 by crunchysoundbite
Tue Nov 29, 2011 4:01 pm
I will answer this thread by saying this... I am an amature and will always be one. This is exciting thread that also tells me what I lack. It has been revealed to me that music is not my calling, or greatest skill. I do play because I love to. Doors of opportunity are not opened I feel because it is not my destiny. I have heard it from those that are successful may have periods of living in their cars and "baloney on hand". I do that naturally with my employment in my greater skills. Not quite that bad though. I am currently doing my greatest skill, commercial driving, but, as with any new job, you have to learn the system of your current employer. At 51, an old dog learning new tricks is as difficult as it sounds. God has put barriers to keep me from being 'musically national, or even locally. I have to follow my calling fist, and entertain myself, second. Those that are or were great, meet great people and gain from their experience. I don't get those opportunities in the music field, but, understanding that has been a new revelation, and one less thing to stress over. Now when I play I do it for my own amusement. This post is not supposed to be depressing, although it my sound that way. We all can't be Ronnie Van Zant. It is however, fun to do his music. :D

#158791 by PaperDog
Tue Nov 29, 2011 4:51 pm
crunchysoundbite wrote:I will answer this thread by saying this... I am an amature and will always be one. This is exciting thread that also tells me what I lack. It has been revealed to me that music is not my calling, or greatest skill. I do play because I love to. Doors of opportunity are not opened I feel because it is not my destiny. I have heard it from those that are successful may have periods of living in their cars and "baloney on hand". I do that naturally with my employment in my greater skills. Not quite that bad though. I am currently doing my greatest skill, commercial driving, but, as with any new job, you have to learn the system of your current employer. At 51, an old dog learning new tricks is as difficult as it sounds. God has put barriers to keep me from being 'musically national, or even locally. I have to follow my calling fist, and entertain myself, second. Those that are or were great, meet great people and gain from their experience. I don't get those opportunities in the music field, but, understanding that has been a new revelation, and one less thing to stress over. Now when I play I do it for my own amusement. This post is not supposed to be depressing, although it my sound that way. We all can't be Ronnie Van Zant. It is however, fun to do his music. :D



Why do people presume the intentions of God, and then totally miss his point? Sorry Crunchy, with all due respect I have to speak up here. I get that you might be facing some struggles. At 51 Its understandable how difficult it might be to face new challenges. But to say that God is to blame for the barriers you encounter, is just flat wrong. (Nowhere is there any evidence in the bible, stating that the spectrum of your life must be precluded with deprivation of opportunity) "Free will" means 'Free Will' and we are built to overcome obstacles and barriers..by our own volition, at any age.

If anybody is to blame for the barriers that circumvent national musical success, then blame marketers... But, its not their fault if, by your own free-will, you opt out of committing to the challenge of blasting their barriers out of the water.

Know what I told the last whupper-snapper who said I was too old to break into the music industry...? I said, "Ok...And whats your excuse?..."

#158795 by Lynard Dylan
Tue Nov 29, 2011 6:38 pm
The spectrum of your life must be
precluded with deprivation of opportunity?
Surely you absquabulate. :?

#158813 by gtZip
Wed Nov 30, 2011 12:19 am
In my little pea brain, I think it should only take four categories to get it done:

1) Great Songs.
2) Connections.
3) Effort.
4) Packaging that they (or you) can sell.

You can probably rely on just the first three. Someone will come along and package/brand you if there is money to be made.

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