Do you use a notebook?
The only way I can keep it all straight in my head to write everything down.
I have many notebooks. Some last a week, some last a month, some maybe even span a year. But I always take notes on what I regard as my music, as originally constructed in my head on what I call "channel z".
If I don't write it down, the best ideas go 'up in smoke' as fast as they came.
I then feel this overwhelming sense of loss.
As I said, I have many notebooks. Not all of them are chock full of goodness, but some of them definitely are.
I am working to empty my first one now. Not my best, but my latest to be sure.
After I record it, the notes go in a folder so they do not "poison" my brain and suggest duplication of something I already wrote.
I am hoping my "magnum opus" is coming from one of these notebooks.
Time will tell.
Do you use a notebook>? What do you record your ideas with?
How do others do it? This is the only way it works for me thus far with any level of success AT ALL.
No notebook, no recording of note. To construct from thin air is not a doable process for me. Too many cooks/musicians make my "inner channel" go silent/spoil the soup.
Do other people hum a few bars and make something worthwhile?
inconceivable...
I need minimum 5 lines of guitar as a skeleton and full lyrics.
I typically throw out 1 line that doesn't fit according to collaboration and accept any and all lyrical adaptation/vocal ideas.
Percussion is an unknown skill to me. I know the theory but couldn't play a drum set even if my life depended on it.
I equate it to a technical skill set I do not possess.
Keys are the same way to me. The only part I grasp is some theory and basics. Otherwise, I know what sounds good and what doesn't.
Guitar/Bass/Vocal(s) all more or less the same level of thing to me and is usually covered by the basics of any tune I am trying to "give birth" to.
And I should mention that 90% of what I write is in ONE GENRE only.
I.E. If anyone ever told me I would write something in any other genre, I'd laugh and say "that's impossible because channel Z only plays the best music for your listening pleasure 24/7/365. So if you're in the mood, keep the dial right here for channel Z. It's what you see, it's what you feel, it's what chooooooo need, BE-caussssee it's channel Z".
I had some cohorts that were working for WPOT and seemed to think that it was similar, but in the end there wasn't enough "headroom"..so we parted ways and channel Z went back to being pirate radio only played with no interruptions/commercials in my head.
(The big nod to Jack and Clint, good luck with your new show "Grilling and Chilling". Try to stick to grilling edible meats and leave the roadkill on the road.)
And a sincere thanks to God because ultimately I owe him for any and all of it to a degree I am surely not comfortable with/or understand at this juncture. amen.
-S.
I have many notebooks. Some last a week, some last a month, some maybe even span a year. But I always take notes on what I regard as my music, as originally constructed in my head on what I call "channel z".
If I don't write it down, the best ideas go 'up in smoke' as fast as they came.
I then feel this overwhelming sense of loss.
As I said, I have many notebooks. Not all of them are chock full of goodness, but some of them definitely are.
I am working to empty my first one now. Not my best, but my latest to be sure.
After I record it, the notes go in a folder so they do not "poison" my brain and suggest duplication of something I already wrote.
I am hoping my "magnum opus" is coming from one of these notebooks.
Time will tell.
Do you use a notebook>? What do you record your ideas with?
How do others do it? This is the only way it works for me thus far with any level of success AT ALL.
No notebook, no recording of note. To construct from thin air is not a doable process for me. Too many cooks/musicians make my "inner channel" go silent/spoil the soup.
Do other people hum a few bars and make something worthwhile?
inconceivable...
I need minimum 5 lines of guitar as a skeleton and full lyrics.
I typically throw out 1 line that doesn't fit according to collaboration and accept any and all lyrical adaptation/vocal ideas.
Percussion is an unknown skill to me. I know the theory but couldn't play a drum set even if my life depended on it.
I equate it to a technical skill set I do not possess.
Keys are the same way to me. The only part I grasp is some theory and basics. Otherwise, I know what sounds good and what doesn't.
Guitar/Bass/Vocal(s) all more or less the same level of thing to me and is usually covered by the basics of any tune I am trying to "give birth" to.
And I should mention that 90% of what I write is in ONE GENRE only.
I.E. If anyone ever told me I would write something in any other genre, I'd laugh and say "that's impossible because channel Z only plays the best music for your listening pleasure 24/7/365. So if you're in the mood, keep the dial right here for channel Z. It's what you see, it's what you feel, it's what chooooooo need, BE-caussssee it's channel Z".
I had some cohorts that were working for WPOT and seemed to think that it was similar, but in the end there wasn't enough "headroom"..so we parted ways and channel Z went back to being pirate radio only played with no interruptions/commercials in my head.
(The big nod to Jack and Clint, good luck with your new show "Grilling and Chilling". Try to stick to grilling edible meats and leave the roadkill on the road.)
And a sincere thanks to God because ultimately I owe him for any and all of it to a degree I am surely not comfortable with/or understand at this juncture. amen.
-S.