Hey Guys,
The 57 was the workhorse during my hayday and was the mic of choice with alot of pro sound techs BUT, since the technology boom of the late 80s,and the invent of drum sampled sounds, better mics are available that cater to drum fequencys...Get on a pro audio messageboard like alt.pro-audio to see the opinions and tricks of the pros...There are alot of choices out there today...I still use my little Beyer mics I bought back in 89 and a Beyer 380 on the kick.
I used a TNT 100 bass amp back in the day to mic the kick at small venues when the PA was not runnin hot enough to deliver...You'll get different opinions about micing the kick...It will depend on how the drummer has it tuned...Heck , I didnt use a front head for years

...
Some guys mic the batter and snare side of the SD...Many choices for overhead as well...Maybe some people will elaborate on the use of that plexiglass micing system (seen it one time, dont know much about it), where the mics are built in to a plexiglass shield around the kit...
Oh BTW, hows the live music scene around Pomeroy?Dont get up there much anynore.. Played the Mason AM. Legion a while back...It was hoppin with young folks

....
Lets hear some other ideas and opinions.
John in Charleston