WRITE SONGS FOR CLUBS OR YOURSELF???
Well I'm back and I CAN TAKE STICK unlike that nasty post by samsousiel. If you ask for it, then you need to take it and shake it off. This is not a kind business. It sucks. But only the strong survive. Now I type a lot of stuff, Fisherman Bob and Jimmy Danger probably know that. But this is a subject that warrants a closer look: my old lead singer, a gifted golden throat and DOMINATOR of the stage finally came clean about why he left such a promising band in 1996. I have never been in suck bands, ever. But they always break up! Now. I have been out of the club scene for decades, and I don't know what's hot and what isn't but one thing is clear: I write heavy rock songs with varied SUBJECT MATTER. I don't know of any band who is unknown when they form, and stis down to formulate a plan to pack any club on any given night by stating: "Right, we are gonna be this type of band and write songs that from the first riff, the first lyric will be geared towards THE CLUBS, not us. Sure, we'll do covers but our legacy will be permanetly recorded as a Southern Rock band or Rush or a Kings Of Leon. The latter put out FOUR CDs and got NOWWHERE for various reasons. But on their fifth release, with guitar effects added and better songs, they are now one of the top bands in the country. Do they sing about Whiskey, Cocaine and Chicks? No, they have semi-christian themes even if they are not Christian. And guess what, SCREW THE CLUBS. I mean, do any of you out there honestly think that building a large (100-200 fan base) is gonna happen because you're music is tailored to the nightclubs? Remember, whatever original material you write is forever, that will be your signature sound and like it or not, you can't change that because your following expects to hear the same style or genre even after you've signed with a record company and the local club scene is now just a memory. I don't believe it. There are a multitude of bands out there who are all very different from one another and because they stuck it out, played to empty houses as well as packed (I've seen this happen to many bands). Okay, so I'll start writing and doing covers that SELL DRINKS. Is this really the reality of the whole business? I don't no anyone but a handful of married freinds who have kids and don't go out anymore. I'm a loner. My basist is the same. Our drummer is 19 so he has to vacate the premises right after we tear down. So its just me and the bassist who stick around after the gig. BTW, my band has only played TWO LEGIMATE gigs since we formed last year. It takes time to work up enough material, covers and originals, to be ready to hit the clubs. Some nights they want all originals, some covers, some both. Below is my ex-lead singers "coming clean". Read it but remember, he wanted to make a living off music RIGHT AWAY. He gave up to find ways to do it playing to families and old folks and working in his home studio, of which he has made a living off. But.......
Craig, It was a great band with great guys I know that. when you really get down to the heart of the matter it wasn't patty, it wasn't even the pocket, it was that no one was coming out to see us. we had a small following compared to other bands. The stupid Refreshments got a hit record during that time, and they were singing about drinking in Mexico, we were writing about people putting up golf courses in Hawaii. They just didn't get us. I like to think we were ahead of our time as far as songwriting goes. the pocket was and to this day is important to me, but that wasn't the reason I left the band. Unfortunaltely it was a lot of things. I needed to make money too, I wanted to fulfill my life long dream of having a studio, and Ron sold the house. Anyway, I'll talk to you soon
Thad
Craig, It was a great band with great guys I know that. when you really get down to the heart of the matter it wasn't patty, it wasn't even the pocket, it was that no one was coming out to see us. we had a small following compared to other bands. The stupid Refreshments got a hit record during that time, and they were singing about drinking in Mexico, we were writing about people putting up golf courses in Hawaii. They just didn't get us. I like to think we were ahead of our time as far as songwriting goes. the pocket was and to this day is important to me, but that wasn't the reason I left the band. Unfortunaltely it was a lot of things. I needed to make money too, I wanted to fulfill my life long dream of having a studio, and Ron sold the house. Anyway, I'll talk to you soon
Thad