sanshouheil wrote:Colors:
You used both the direct out of your amp and a mic?
Both inputs into the mixer?
Did I understand you right?
Yep, that is correct. The 16:2 has 16 inputs on it. I have the SM57 going into input #1 and the direct in from the Triaxis going into input #2. And, when I play my Ibanez Piezo guitar, I actually have three inputs, because I have the output directly from the Piezo on the guitar going to input #3.
The distortion sounds way fuller.. Each of those inputs, on their own, sounds pretty decent. But they each have a
different sound. The SM57 doesn't pick everything up - obviously. It's a microphone, so you just don't get the *exact* sound that your ears are hearing.
The direct out from the Triaxis sounds pretty good, but again - it's a direct out, so it's missing the ambiance of a speaker cabinet. So it doesn't sound quite right by itself.
But when you combine the two signals... man... it's a world of awesome. Especially with a really good mixer like this. I mean, I read about how the preamps on this thing were top notch, but holy cow... what a great sound.
If I can get to it this weekend I'll post something. Because it's worth it, I think, to hear it and hear the difference. If I get a chance what I'll do is post a sound clip of the Sm57, and then with the same guitar riff I'll do the direct in, and then I'll do a third take with both inputs and you can hear the difference yourself.
And then I'll try and post some wanking so folks can make fun of me. Which, by the way - I never claimed to be a great guitar player. I know I'm mediocre in every way. This is a craft I work on, and I'm a long way from being good.
But that doesn't mean my ears can't hear the different between good and bad, or that my brain can't differentiate between sameness and diversity, or wanking and soulful playing...
Honestly, I wish I could play like some the folks here. I think I'd put that sort of talent to a lot better use than the mindless wanking I've heard so far.