Jookeyman wrote:I still can't picture you actually playing marimba to this??
That sounds like something wacko I would pull (if I were a marimba player)!! 
Really, you CAN'T hear ME playing marimba over something as 360 as this???
let me introduce myself....i go by Planetguy, or PG around here, but my friends call me mark!
I'll have to re-think my favorite part of this # after a few listens.
I'm hearing a LOT of over-the-top stuff from all 3 of us on this take.
oh inDEEEEED! a LOT of over-the-top stuff from all 3 of us!
hey, if you want to go the collab route i'm in! w either a new fangled take.... or i can see if there's any room on your take....(sorry, i forgot the title you christened it w). it might be fun to dress this up in some different clothes. and afterall..this is take # 2 w a different bass line that to my ears actually leveled things out a little more than the first rolller coaster ride we all took on RG's drum trks.
and then you had adrenalize it w all that mcgloughlin stuff!
but really , when i just play marimba or vibes over the bass/drums rhythm section of this version... it's just quite straight ahead and very logical Em tonality that lays really well on keyboard mallet instruments.
and the change to BbM7 works easily enough too. the puzzle is in getting a nice gentle "knock on the door" approach to getting into the different harmony of that B sect. that's an interesting changeup but since it is rather different tha what proceeded it....i feel pretty strongly i don't want to just LAND there!