#4954 by
BassPlay3r
Thu Feb 15, 2007 7:37 pm
Most of the time I prefer listening to instrumental stuff. Sometimes it more hard edged (for me) like very early Yngwie, some Satch, Vai's Passion and Warfare, Vinnie Moore 's Time Oddyssey, Chris Polands Return To Metalopolis and Blues Scaraceno.
Sometimes some of the numetal is appealing to me when they do a cool odd time groove but when the singers start doing that screech/scream thing or the drummer launches into what I call the super fast polka or ompha beat then they lose me.
Other times it's more polished stuff like Dave Weckl, Triabal Tech (Scott Henderson RULES!), Bill Bruford, Holdsworth, Mike Stern, Chad Wackerman, Greg Bissonette, Al di Meola, Mclaughlin, The Dregs and of course any of the bass mastas (Victa, Marcus, Jaco, Stanly, Jeff Berlin, Gary Willis, Chris Bailey, Otiel, Hamm and the man Micheal Manring).
Of course none of the above is on the radio so it's the iPod for me.
Sometimes I get off on the more rock sounding stuff with vocals like Kings X, and old prog. I'm talking the early stuff(Genesis, YES, ELP, Crimson, not what they call prog today which is anything that has more than two note chords. =/
If it's done tastefully (has a bass player) I can listen to rap but most likely I wouldn't buy it. Except for the Peppers, Blood Sugar rules for great grooves.
Every once in a while I bust out some old tower of Power or Stevie Wonder
For the most part I like to listen to music in the same way I judge guitarists. If the guitarist is only doing bar chords forcing the roots on me then....boring. If they are staying away from the root notes and playing the higher parts of the chords/inversions then thats interesting because the bass player gets to do his thing.