i appreciate (what i deem to be) good looking equip as much as anybody. but like many musicians, i often like to swim upstream and go against the grain.
i'd be lying if i didn't admit that much of my love for old Guilds (and some new ones) has to do w the fact that they're NOT Fenders, Gibsons, or Martins. of course, if they weren't total killers, as players that in and of itself wouldn't amount to beans. I find even some of Guild's "uglier" gtrs and basses to possess "ugly beauty".
have to say that i've never really spent much (any?) time obsessing over how my gtr or bass amp looks.
wait.
time out.
having said that....back in the day i did pull the remaining tolex off an old 2x12 Bassman cab and '68 bassman head to reveal some gorgeous and beautifully grained pine w lovely finger joints. sanded it down and polyurethaned it....hmmmm. it was the shiznitz and i almost always got compliments on it's looks (if not on what i sounded like playing thru it!).
yeah, ok,,,,ya got me there.
but back to gtr amps.....for the last ten or so yrs my gtr gigs are limited to mostly just jazz gigs and nothing gets the job done better for me that my plain jane looking '65 Deluxe reissue.
i feel like a million bucks when i'm playing a gtr that is set up well (all mine are) and i'm working w an amp (my Deluxe) that gives me exactly the tones i'm looking for.
now, would i or anyone at the gig enjoy it anymore if was "better looking" or more "special looking'....i'm sure there are some who would.
another amp that comes to mind that DOES hold big visual appeal to me (but only because it's a great FUNCTIONING i.e. sounding amp) is the iconic Ampeg Fliptop B-15n and B-12n amps from back in the day. I've played thru a few (mmmm. pillowy warmness! loved it) but never have owned one. They was somes seriously cool little amps w seriously cool design.
