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#165028 by John Livingston
Thu Feb 16, 2012 4:50 am
jw123 wrote:LOL, Jimmy if your doing it to get paid and it doesnt work out then quit and do something else.

Everyone wants to blame it on people playing for free, or the club owners, its not that at all. Its all about drawing and entertaining an audience that will support you. Your in the entertainment business when you step out of the garage, its not Kansas anymore. If you can develop a consistent audience then you can ask to be paid. If you cant draw people then save yourself some grief and stay in the garage.

On a side note, last night my wife and I went out and saw this acoustic guitarist playing and singing, he was working for tips, he was mostly country, but he played a couple of originals, and a couple of them were great. I asked him why he played out for tips, he said Im mainly a songwriter and this way I get to work out my originals in public, he said sure I would like to get paid, but then I would have to stick to the standards, this way I can do my thing. His name was Nick Garrison, 20 something, nice guy and one hell of a songwriter, if he had demanded pay, I wouldnt have gotten to see him, cause I know the owner, he only hires guys that are established and draw a crowd.

These threads get very stupid to me, if you dont like what your getting paid or offered do something else, or figure out how to think outside the box. Like Jimmy said if you dont like the rules, step aside and STFU!




I agree that it doesn't matter how you sound to a venue, as long as you bring a crowd.

I also agree that it isn't the fault of a band willing to play for free, but if you are going to criticize the bar when you don't bring a crowd, there is a band that is willing to play to the ashtrays for free no matter how crappy they sound.

That being sad, every Tom, Dick, and Harry, can come out of the woodwork, learn three chords and saturate the market allowing the talented artists to be overlooked. Albeit it may also be the fault of said artist not getting out there and hitting the pavement, but it still doesn't help.

Imagine as a bar owner how much time you have to review bands. Come on, you have seen how stressed out some of those guys are. They have a thriving business that can bring you exposure, they don't have time to go through EVERY band and review them. Well at least where I was playing out. I guess I really don't know the scene in Ohio.

I mean, you don't graduate high school, and go saturate the hospitals with resumes as a community, trying to all be Physicians. Some of us have worked for DECADES to become accomplished.

Having a saturated market doesn't help in ANY case man, but at least I would expect it to be saturated with talented players, not with musicians that just bought their first Mel Bay Lesson Manual.

But you and I agree that these threads can get long winded because everybody feels different.

I agree with a lot of what you say man, but three chords isn't an excuse to me, and never will be.

NOW if they play those chords like TOM PETTY? Hell, I will go to their show, but 9/10 they can't, or will refuse too.


It is just so frustrating sometimes, I am not saying the whole industry is like this in my opinion. It is just the bad part, or... "Bad Scenes". That is all.


Santa Monnica Pier in CA?... that place is BANGING with talent, and everyone loves it there. GREAT scene, dudes will play music for you RIGHT on the street. They walk around with amps strapped to their butt. lol. Open minded, talented, studied musicians.

Friggin sweet.

Those are the better parts of the industry. Those places if you can find them are what I would recommend for any struggling artist.

An experience to say the least.

But all and all, I can' stress enough how I feel you can learn a lot by just following the money. There is your answer.


If something isn't getting done, or you aren't getting what you want out of the experience monetarily, find out why.

Follow the money.

Money, money, money. Pretty simple. Nothing else matters if you are playing venues.

If you are entertaining, and good enough to play what you want, and still bring a crowd. You are a damn fine entertainer.

Simply put, that is my viewpoint.

#165042 by jw123
Thu Feb 16, 2012 1:23 pm
AyrTrayn wrote:I enjoy these threads as well and PD your the kinda guy that makes open mics worth going to. We have some here in Memphis that are very professional Zack Bair a guy from Dallas puts a lot of effort into our music scene. There's the Stage Stop and some smaller ones. Some of the bands on Bealle Street let folks sit in too.

The Trains here behind the house run nonstop this last year and more this new year. To me that's a sign the economy's getting better, music being a industry that counts on disposable income should improve. Once a year Elvis sightings are unbelievable. But Elvis is performing somewhere every night in Memphis.



Ayr, I just noticed you are from Memphis, and mentioned the stage stop, my band Aint Yo Mama is playing there friday Feb 24th, with 4 other bands for a Ron Paul benefit if your looking for somewhere to go, we will probably play around 10 or 11, not sure yet. Its the first time Ive played in Stage Stop since 1996, so it should be a hoot, seeing Nita and I guess her son is still the DJ there.

On a side note, we never play stage stop cause they dont offer enough money for us to go in there, plus its a tough location to bring our crowd. I didnt even know they had a open mic night there.


Cool to see another local musician on here.

Rock On!

#165074 by AyrTrayn
Thu Feb 16, 2012 5:07 pm
jw123 wrote:
AyrTrayn wrote:I enjoy these threads as well and PD your the kinda guy that makes open mics worth going to. We have some here in Memphis that are very professional Zack Bair a guy from Dallas puts a lot of effort into our music scene. There's the Stage Stop and some smaller ones. Some of the bands on Bealle Street let folks sit in too.

The Trains here behind the house run nonstop this last year and more this new year. To me that's a sign the economy's getting better, music being a industry that counts on disposable income should improve. Once a year Elvis sightings are unbelievable. But Elvis is performing somewhere every night in Memphis.



Ayr, I just noticed you are from Memphis, and mentioned the stage stop, my band Aint Yo Mama is playing there friday Feb 24th, with 4 other bands for a Ron Paul benefit if your looking for somewhere to go, we will probably play around 10 or 11, not sure yet. Its the first time Ive played in Stage Stop since 1996, so it should be a hoot, seeing Nita and I guess her son is still the DJ there.

On a side note, we never play stage stop cause they dont offer enough money for us to go in there, plus its a tough location to bring our crowd. I didnt even know they had a open mic night there.


Cool to see another local musician on here.

Rock On!


Seems everyone in Memphis promotes their gigs and open mics here:
http://www.facebook.com/groups/MBMC2012/

#165103 by jw123
Thu Feb 16, 2012 7:41 pm
Ayr I went to that link, all thats on there is musicians, do musicians actually support musicians in Memphis? I dont know why I would want to post there, cause half the people on there invite me thru my FB to gigs anyway!

Must be a new thing! LOL

Good Luck

#165136 by AyrTrayn
Thu Feb 16, 2012 10:00 pm
jw123 wrote:Ayr I went to that link, all thats on there is musicians, do musicians actually support musicians in Memphis? I dont know why I would want to post there, cause half the people on there invite me thru my FB to gigs anyway!

Must be a new thing! LOL

Good Luck

To answer the question you asked do local musicians support local musicians ........well these startups could show up at your show to get ideas ya
Yep It is kinda dumb, being it's a closed group, but quite the list of local folks The open mics are advertised, Stolen instruments posted. It's a alternative to craigslist. Haven't seen Ray yet. They let one gal in there lives in Phoenix. That's a goof I think. It's a club there's a few on FB

#165199 by jw123
Fri Feb 17, 2012 1:45 pm
Ayr I joined it maybe they will let me in!

20 or 30 of the local musicians are already friends of mine on FB.

#222508 by John Livingston
Sat Sep 21, 2013 7:43 pm
jw123 wrote:LOL, Jimmy if your doing it to get paid and it doesnt work out then quit and do something else.

Everyone wants to blame it on people playing for free, or the club owners, its not that at all. Its all about drawing and entertaining an audience that will support you. Your in the entertainment business when you step out of the garage, its not Kansas anymore. If you can develop a consistent audience then you can ask to be paid. If you cant draw people then save yourself some grief and stay in the garage.

On a side note, last night my wife and I went out and saw this acoustic guitarist playing and singing, he was working for tips, he was mostly country, but he played a couple of originals, and a couple of them were great. I asked him why he played out for tips, he said Im mainly a songwriter and this way I get to work out my originals in public, he said sure I would like to get paid, but then I would have to stick to the standards, this way I can do my thing. His name was Nick Garrison, 20 something, nice guy and one hell of a songwriter, if he had demanded pay, I wouldnt have gotten to see him, cause I know the owner, he only hires guys that are established and draw a crowd.

These threads get very stupid to me, if you dont like what your getting paid or offered do something else, or figure out how to think outside the box. Like Jimmy said if you dont like the rules, step aside and STFU!



~~~~~~~~~~~~~~~~~~~

lol you didnt' even f**k READ what he said. lol what a joke.

#222511 by Fuckedupfuck
Sun Sep 22, 2013 2:25 am
I get paying gig s and I play for free. But then I am not trying to be a performer but rather a songwriter and I play every chance I get because you never know who is listening and you can always get tips

#222528 by Hayden King
Mon Sep 23, 2013 12:56 am
I have a minimum. Pay it or get someone else. Simple as that.
I don't care how "cool" your venue is.
I don't make money for club owners by doing their leg work.
Minimum. Pay it, or don't!

#222539 by jimmydanger
Mon Sep 23, 2013 12:39 pm
The Farleys don't make that much but we pool our earnings and paid for our recent recordings out of this summer's gigs. Dover Soul is starting to make decent money but we will make more soon. But Johnny the singer said that he's having so much fun that he would rather play with us for nothing than play with another band.

#222540 by gbheil
Mon Sep 23, 2013 1:29 pm
jimmydanger wrote:The Farleys don't make that much but we pool our earnings and paid for our recent recordings out of this summer's gigs. Dover Soul is starting to make decent money but we will make more soon. But Johnny the singer said that he's having so much fun that he would rather play with us for nothing than play with another band.


Sounds like our bass player.

He is a very experienced musician. Shortly after he joined us as we were having a conversation I asked him why he would bother with hacks like us.

He said, " You make music FUN again "

Hard to argue with that.

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