Chief Engineer Scott wrote:That's hilarious..we always have issues with bass players.
I just basically had to change the line up AGAIN and the only thing that's hard to find this time is a BASSIST that really is dependable.
I was buying the last one cigarettes, drinks and whatever else he was having a "hissy fit" over, just to have him go overboard and go off the wagon, diving back into his old addictive ways.
I started to talk to the other 2 about it and the drummer just looked at me, yelled "NEXT" and did a drum roll with a crash at the end.
I was surprised, embarrassed and burst out laughing all at the same time.
I think bass players/keys players are the hardest to retain because they know they can get away with more than the 100000000000000000000 drummers/guitarists and get in and out of situations more out of necessity than ability. (imo)
I wonder if all this hasn't got something to do with a phenomena I noticed. Every studio experience I've had, has been one where the engineer was a bassist.
My first two demo recording experiences were with bassists (1987-1988), followed by a third in 1994, and then from 1996-2005 another bassist, in 2006 another bassist, in 2007 in the US a bassist (better known for his lead guitar work, but a phenomenal bassist nonetheless and insisted on doing the bass under a pseudonym.
) I'm currently lined up to record with a bassist, am working with a guitarist-bassist (damn good on the bass) and though I'm a rhythm player I've played bass with a band 'Jenny From Space' in South Africa, and recorded a solo album where I played the ..... exactly.
Bassists certainly seem to rule the dark underworld of creative decisions and from their lofty seat doth govern us all. The ruination of us all.