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Question to the board

PostPosted: Tue Jun 10, 2008 10:37 pm
by fretwork
In a song on a scale from 1 to 10 how much importance you give to the lyrics and how much to the music, melody, arrangements?

Could you like a song with bad lyrics and good melody, groove, vibe?

Could you like a song with bad melody and good lyrics?

PostPosted: Tue Jun 10, 2008 10:47 pm
by gtZip
melody -- 8
arrangement -- 8
lyrics -- 6

Like a song with bad lyrics and a good melody? Happens all the time.
Like a song with a bad melody? No.
.. I dont care what the lyrics are if the song sucks.

PostPosted: Tue Jun 10, 2008 11:27 pm
by Starfish Scott
melody- 10

arrangement - 10

lyrics - less.

Bad music no way!

Bad lyrics, ssdd. lol

PostPosted: Wed Jun 11, 2008 12:27 am
by philbymon
Personally, I spend way too much time worrying over lyrics, I know.

From what I hear these days, the catch phrase is the only important factor in lyrics.

Melody is important, but the groove, the overall feel, is much more important. You can get away with a lot of really bad lyrical content & a sad sorry little overdone melody, but without the groove & catch phrase your song will be total crap in today's market.

PostPosted: Wed Jun 11, 2008 3:10 am
by fisherman bob
Sometimes when I write a song the lyrics come first (especially if I want to give a strong opinion), sometimes the melody comes first. Some songs the lyrics are paramount, others they're not that meaningful. It really depends on the song. If a song is very strong musically and lyrics detract from the song, then why even have lyrics? There's nothing wrong with instrumentals. I've said this many times before, if you're going to have lyrics then make sure they're understood when playing live and ESPECIALLY when you record the song. There's nothing more annoying to me than not being able to understand the lyrics. Later...

PostPosted: Wed Jun 11, 2008 1:52 pm
by jw123
I am a child of the radio and I listen for good solid lyrical ideas that either tell a story or evoke a strong emotion. Hopefully it does both. For radio I think the instrumentation and everything is secondary to the vocals. And I am mainly a guitar player.

PostPosted: Wed Jun 11, 2008 3:03 pm
by neanderpaul
gtZip wrote:melody -- 8
arrangement -- 8
lyrics -- 6

Like a song with bad lyrics and a good melody? Happens all the time.
Like a song with a bad melody? No.
.. I dont care what the lyrics are if the song sucks.

Agreed 100%

PostPosted: Thu Jun 12, 2008 12:02 am
by Shapeshifter
I'd have to view them all on an even keel. I noticed several folks having a generous tolerance for bad lyrics. I have to say, for myself, that even though a song may carry a memorable melody-if the lyrics suck, I'll turn it off-every time. Yes, that melody may stick in my head for a while, but I'll only end up putting my own lyrics to the song.
When I record, we often refer to the vocal track as the "money channel". That's not only due to the vocal melody, but also the idea being expressed. That just my opinion, however, and there are many people making lots of money with very little lyrical talent. They are just not getting any of my money! :wink:

PostPosted: Thu Jun 12, 2008 12:25 am
by blair_rock
I'm big on lyrics but needs a least a decent melodt to be able to listen to it.

PostPosted: Thu Jun 12, 2008 12:37 am
by L e m
Melody first-10, music/riffs-8, lyrics last-5.
There are exceptions, 70's era Steve Miller
or Knickleback are too annoying to me lyrically
to concentrate on the melody. Melody is why a
Celine Dion will always attract more attention
more than an Yngve Malmstein(sp).

PostPosted: Thu Jun 12, 2008 12:43 am
by fretwork
Occasionally lyrics and melody complement each other in a song, one song that comes to mind is “Dust in the wind” by Kansas, there are many others but for most songs it seems to me that lyrics is used as a platter to serve a melody particularly the ones with a catchy groove, beat or riff, there are other songs where the opposite is true where the melody is the platter in which the lyrics are served as for example “Every rose has his thorn” by Poison.
Do you guys have more examples?

PostPosted: Thu Jun 12, 2008 12:58 am
by L e m
I think a lot of that old scat style jazz vocalizing bebops along exactly to wild trumpet and sax bleatage.....they sort of depend on each other. An example of just the opposite, a weird conundrum of two things very apart but complimenting each other might be early Velvet Underground where Lou more or less beat poetisizes over weird harmonys from the instruments.
Kraftwerk ?? Stairway to Heaven :lol: <---sorry !

In the band Im trying to put together, I consider the vocals to be the
most important 'insrtument'. Everyone remembers a great melody
and tuneful voice. Only four guys in the audience are going to appreciate
the guitar work.

PostPosted: Fri Jun 13, 2008 5:14 am
by Black57
Hmmm, I don't know but I've been told, a big legged woman ain't got no soul? :shock: Oh well, I still love Black Dog :wink: However, most songs that I like also have good lyrics at the same time, it is the melody and the arrangement that is more important to me. I am an instrumentalist and I like songs that can be played without the lyrics. THe way music is arranged details the composers musicianship and imagination ( hmmm, I think that was a song ).

PostPosted: Mon Jun 16, 2008 12:50 pm
by Senior Jalapeno
Hook - 10 regardless if it is, musical or lyrical or both.

:)

PostPosted: Tue Jun 17, 2008 2:21 pm
by Andrew Brewer
neanderpaul wrote:
gtZip wrote:melody -- 8
arrangement -- 8
lyrics -- 6

Like a song with bad lyrics and a good melody? Happens all the time.
Like a song with a bad melody? No.
.. I dont care what the lyrics are if the song sucks.

Agreed 100%


I'll second that motion, couldn't say it better myself. Or am I thirding or something? Whatever, all those in favor, I'll say "aye."