joi471453 wrote:Planetguy wrote:i've gotta take exception w the advice of "becoming metronomic".
it's important to have rock solid timing and be able to lay down a groove...and hold a groove...but no one should strive to be "metronomic".
i've been lucky enough to play w a lot of fantastic drummers. all the best ones have an "elastic" time feel that expands and contracts.....one that breathes. i don't mean speeding up and/or slowing down....i mean sometimes you play on the beat or a little ahead, sometimes you lay back.
you can work on that kinda stuff to a degree w a metronome (or drum machine, or click) and there are definitely advantages to prct that incorporates that but i gotta say sounding "metronomic" is nuthin' to shoot for!
good luck going for the bass. if anyone ever told me i could only play ONE instrument...hands down, no contest, it'd be bass!
So u don't agree w/ the "metronomic" aspiration...even for the beginner who isn't ready to come out to play, yet? I understand that music lives and breathes, and that I will always have to allow for that when I'm playing bass and locking w/ the drummer...but doesn't it breathe for ALL instrumentalists? Don't we ALL have to "feel" it, or risk becoming "Musicians by Cubase/Pro-Tools/unameitcomputersoftware"?
Btw, I think bass is pretty cool, too!
put me down for STRONGLY DISAGREE w apiring to sound "metronomic". everyone needs to aspire towards good solid time that grooves and breathes.
everyone needs to be able hold a groove w/o it moving all over the road...no matter what instrument they play. so, yeah....of course, every instrumentalist "needs to feel it".

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PRAISE CHALLAH!!!!