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http://bandmix.com/tom-fo

Joined: 22 Jun 2008 Posts: 1 Location: United States, New York, Hartford
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Posted: Wed Sep 09, 2009 7:00 pm Post subject: FULL TIME, REALLY? |
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I am a pro guitarist out of the NY/CT area - I am finding it hard to find musicians that are really FULL-TIME and want to tour. Any suggestions on how to get to those who are really in the business on a full-time pro level?
Thanks,
Tom Forst
www.myspace.com/thomasforst _________________ tom forst
myspace.com/thomasforst
fullcircle@cox.net |
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sanshouheil

Joined: 22 Feb 2007 Posts: 6560 Location: United States, Texas, Kilgore
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Posted: Thu Sep 10, 2009 2:46 pm Post subject: |
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Man, thats a darn good question.
Perhaps through some recording studio contacts?
Being an amiture myself I would think you would have to recruit from already active bands, and or other established professionals.
Takes huevos to risk a jump like that.
Old guys mortgaged out the wazoo with teenage kids to feed wont generally make a jump like that. If they are sane.
Heck, I'd have to sneek off, er my ol lady'd pop a cap in my butt.
Best of luck though. _________________ http://www.noisykungfu.com/ |
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Capt. Scott

Joined: 24 Aug 2007 Posts: 2508 Location: United States, New Jersey, Flemington
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Posted: Fri Sep 11, 2009 3:02 pm Post subject: |
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Gotta have music people want to hear full time..that's really the issue.
And realistically speaking, I don't think many people just go and FULL TIME tour. You have to put in the hours before you even get close to that point, unless you are part of the support. |
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Prevost82

Joined: 03 Oct 2007 Posts: 168 Location: Canada, British Columbia, Kamloops
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Posted: Fri Sep 11, 2009 4:43 pm Post subject: |
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I go talk to a highend recording studio and they will be in the know on who is out there.
In every major center there are a number of musicians that are studio musicians and support players for artist tours. Where I am, in a 2 mil pop, there maybe 2 dozen players that get all the work ...
Expect to pay 150 to 250 for each player per show, plus food and lodging for someone that has a petigree. |
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sanshouheil

Joined: 22 Feb 2007 Posts: 6560 Location: United States, Texas, Kilgore
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Posted: Fri Sep 11, 2009 5:29 pm Post subject: |
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24 out of 2 mil ? Whoa, theres some odds for ya.
$250 per show + room and board How about beer tab?
I have some pedigree, feed it to my dowgs this morning.
Guess I am out of luck.
Seriously though, If you are 1 of 24 out of two million people.
Thats got to be some real talented musicians right there.
Prevost? You have a lot of experience right?
Do you do any studio work, like professionally? _________________ http://www.noisykungfu.com/ |
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Kramerguy

Joined: 22 Jan 2008 Posts: 1756 Location: United States, Pennsylvania, Douglassville
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koolbass

Joined: 01 Aug 2004 Posts: 4 Location: United States, Tennessee, Nashville
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Posted: Sun Nov 01, 2009 7:06 am Post subject: |
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I play music for a living, but I don't make all of my money touring. I do a lot of touring, but I also work in the studio. I think you would probably need to live where the work is, like an industry town like LA, New York, Nashville, etc., and to get on a tour, you need to know the band leader of an artist. That's not always an easy thing, which is why you'd need to hang out in an industry town.
When a band leader is hiring for a tour, he/she needs to find the best player they know for the job, and also someone who is a good hang on the bus. It's almost like being invited to join a family, so they need someone who fits the band/artist vibe and lifestyle.
The band leader's butt is on the line with mgt., so they will usually hire someone they know, or someone who is known by someone they trust. That's the biggest reason you really need to live in one of the industry towns, so you can do pick up gigs with other road dogs, and become known by them.
And don't move to an industry town until you, your ability, and your equipment are ready to compete at that level, because first impressions last, and people LOVE to talk about the idiot who was on the gig last week that was green and clueless, and then YOUR name will be repeated, if that is you. Don't leave home unless you're ready, and if you're really ready, you'll know it, because you'll probably be the very best musician in your particular puddle. Everyone you'll be competing with to get a gig will have been the big fish in their own hometown puddle, and there's some mighty talented people playing music.
If you're ready, then go for it, don't look back, and good luck...you'll need it!!! |
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philbymon

Joined: 02 Mar 2008 Posts: 5143 Location: United States, West Virginia, Hedgesville
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Posted: Sun Nov 08, 2009 8:16 am Post subject: |
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In some cases, it still comes down to location location location!
I've tried, & man, it's REALLY hard to make a living playing music in Hedgesville, WV! _________________ Life lesson #17 - never start a conversation with that cop who pulled you over with the words "Look, bub..." |
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Capt. Scott

Joined: 24 Aug 2007 Posts: 2508 Location: United States, New Jersey, Flemington
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Posted: Sun Nov 08, 2009 5:13 pm Post subject: |
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I envy those of you that can play any genre..
I tried to play something recently that was complex but not really within my area of expertise.
I had to fake it and choke back the vomit long enough to be able to walk off the stage without letting them know I utterly HATED playing with them.
No, I am staying in my corner of space.. It's pleasantly pleasing and no cheesers, unless you count me. (and if you do, YOU CAN GET THE **** out) lol
Not enough room on the Rocket. Hope you brought your vacc suit. lol |
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Prevost82

Joined: 03 Oct 2007 Posts: 168 Location: Canada, British Columbia, Kamloops
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Posted: Mon Nov 09, 2009 6:20 pm Post subject: |
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| sanshouheil wrote: | 24 out of 2 mil ? Whoa, theres some odds for ya.
$250 per show + room and board How about beer tab?
Seriously though, If you are 1 of 24 out of two million people.
Thats got to be some real talented musicians right there.
Prevost? You have a lot of experience right?
Do you do any studio work, like professionally? |
I do some studio work ... but not a lot.
I mostly do pickup bands (hired gun) live work. Most artists that tour, do pickup bands, an east coast artist wants to get exposure on the west coast, won't bring his band with him it's too expensive ... so he pick up a band on the west coast and does a short tour 1 to 3 weeks.
As Koolbass said .. you have to be known to be a great player, read charts and get the music down in short order, reliable and no drama and last but not lest you have to be able to handle being on the road in a tour bus ... under sometimes not the best conditions and deal with it.
For me 50% of the bands I get pickup up by, never have a rehearsal before the tour. I get a set of charts and download the MP3's that will be done on the tour. I will sometimes get 1 or 2 days to work on the songs (30 to 35) and get them down solid ... I've had as little notice as 4 hrs on a one off show. Usually for a short tour we'll have a short rehearsal on the first sound check and run through parts of song that may have a difficult turnaround or endings, make sure we have a deep groove going, . But basically we hit the ground running and you would never know that we are a pick-up band ... you just have to be that good.
Again as koolbass points out you have to be the best in your area and get out and hit the jam sessions that these players host on their off time (not on the road or in the studio) and be known for what you can do ... and how fast you can pick times up things in a live setting (groove change, playing a song by ear that you've never played before and nailing it, fast recovery from a mistake and make it sound like it wasn't a mistake.
Last ... yes it is 24 out of 2 million people ... it's that low. You may have the chops, but can't listen to 30 songs and read the charts and be ready to go in 6 hrs or 8 hrs ... or you can do all that, but have the personality of a slug, or you may not do the road thing well ... some people can't do it .. they get cranky and that is hell. You may be to showy ... this is about supporting the artist and making him look and sound good ... not you wacking away on your instrument making you look great, but at the same time you have to have a measured stage presents. I've played with most of the 24 guys for 10 to 30 yrs ... we all know each other, so there is not surprises when we get together and that is what the artist is looking for.
Ron |
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